Story Sensei

This is the first in a series of blogs about marketing for fiction authors without using social media. One thing I focus on is building up my email newsletter. One way I do this is through Lead Magnets. I don’t know if this is true for non-fiction writers, but I’ve heard of two different kinds of fiction lead magnets—one for a cold audience who has never heard of you (called a Funnel Book), and one for a warm audience (Reader Magnet). The Funnel Book is for things like BookFunnel group promos or newsletter swaps. BookFunnel group promos (you can also do the same on StoryOrigin ) are where you join a promo event with other authors in your genre or niche. Everyone shares the link to the promo in their newsletter. The link goes to a landing page with everyone’s book covers that readers can click on. That goes to the individual book’s landing page with a blurb and a link to either buy the book (if it’s sales promo) or to sign up for your newsletter to get the book for free. The...

  This is actually a lesson from my Synopsis worksheet, so forgive me if you’ve taken my class and this sounds vaguely familiar. :) An agent might use a one-sentence hook when she presents your story to an editor, or you can use this hook in your proposal, and an editor might use it when she presents it to the pub board. Actually, I would strongly suggest you have a one-sentence hook in your proposal, because even if your editor doesn’t use it in pub board, you may be asked to submit a one-sentence hook later, after the book is contracted, to give to the Marketing and Sales team. This hook will also help you step back from your story and adopt a more high-level view of the manuscript. It can be hard to wrench yourself out of the nitty-gritty of the story and take this bird’s-eye view, so, well ... make an effort. Be a little impassive about your story—don’t be too tied to it. That’ll help you to step back and look at the overall picture. Here’s the actual one sentence hook I...

It's been a while, but I finally did another evaluation of the various things I've been trying in order to improve my productivity. I feel like I’m getting closer to optimizing a schedule that makes me most productive despite my health issues. Click here to read Evaluation 7.

I wrote earlier in my Book Creation Process that just before I start writing my manuscript, I’ll take time to write down blocking notes. For me, “blocking” is like blocking in a live play. It’s writing a step-by-step description of what happens in a scene to make it easier for me to write the rough draft. The concept is the same as the “beats” described in Write Better, Faster: How To Triple Your Writing Speed and Write More Every Day , but I call it blocking because “beats” is sometimes used to refer to high-level outlining. Blocking is also mentioned (although she doesn’t call it “blocking”) in 2k to 10k: Writing Faster, Writing Better, and Writing More of What You Love ). In Write Better, Faster , the author explained her process in more detail. She calls them beats. She writes one paragraph about each scene in her outline. Then from the one paragraph, she asks a series of questions about each sentence in the paragraph, and in answering all those questions she elaborates on the...

Maybe I’m just weird, but I like to know how different writers do their writing. I like knowing how they spend each day. I like knowing their process when they write a book, from idea to outlining to drafting to editing. Every writer is different in subtle ways, and I’ve discovered that a writer can discover what works best for them by seeing what works for other people, and then experimenting and trying it for themselves. Sometimes a process works, sometimes it doesn’t, but at least you’ve tried it to see. I spent a lot of time trying out methods to improve my productivity and enable me to write the best book I can. I thought it might be interesting to list what my book creation process is. Not all my methods will work for all writers, but I might do some things in a way you haven’t tried before, and it might be a process that ends up working for you. Stage 1) I usually start with the characters. I write the backstory and family first, and I jot notes in a file in Scrivener as ...