Story Sensei

We're doing one-sentence hooks at Seekerville today! Come learn how to write a one-sentence hook and get feedback on your own! Camy here! Today I thought I’d do a more interactive post and have you guys create a one-sentence hook for your story. This is actually a lesson from my Synopsis online class that I teach through my Story Sensei critique service, so forgive me if you’ve taken my class and this sounds vaguely familiar. :) An agent might use this one-sentence hook when she presents your story to an editor, or you can use this hook in your proposal, and an editor might use it when she presents it to the pub board. Actually, I would strongly suggest you have a one-sentence hook in your proposal, because even if your editor doesn’t use it in pub board, you may be asked to submit a one-sentence hook later, after the book is contracted, to give to the Marketing and Sales team. Click here to read the rest!

I'm over at Seekerville today in a long blog article about how to put together a fiction proposal! Camy here! I know that lots of you did NaNoWriMo in November, and as all of us start to prepare for writer’s conferences this year, I wanted to talk about putting together a fiction proposal for your manuscript. Not all proposals are set up the same way, but I’m going to go through the structure of a typical one. Click here to read the rest of the article!

I'm over at Seekerville today talking about crossover! A few people have asked me about when I first switched genres. I learned a few things along the way, and there's also something very important I realized—whether you're a Christian fiction writer who wants to cross over to mainstream or a contemporary romance writer wanting to cross over into romantic suspense, there are a few things a writer should do to give you a better chance of success. Click here for the rest of the post and to chime in to the conversation!

This is a page or two listing books similar to yours but different in some way. This is to show how your book would both fit in and stand out from the books already in print. Make sure the books you list aren’t too old. List recent titles over older ones. Show clearly how the books are similar, but also show clearly how yours differ. For example: Embryo Factory: The Stem Cell Wars by Rev. Richard A. Humphrey and Dr. Loren J. Humphrey, ACW Press, 2003. This Christian suspense dives deep into the complex moral and technical issues surrounding stem cell research, using a minister and a physician as protagonists. Bitter Dragon also deals with stem cell research, but takes the issue a step further into human cloning and fetal tissue harvesting for disease therapy, with a backdrop of action and adventure pushing the Asian heroine into danger.

Don’t list things like “willing to appear on Oprah”—well, duh. Plus so few authors actually make it on Oprah, period. Be specific about what you personally can do. What groups do you belong to, and what can you realistically do to use your connections to promote your book? For example: Do you work in a school and can you influence the librarian or other schools’ libraries to carry your book? Do you belong to any national organizations and can you give workshops on your book topic at your local chapter? Do you have an active blog or website and can you utilize that to spread the word on the internet?

If you don't have many writing credits, don't point it out. If you have a lot, point only to the relevant ones. If you wrote an article on abuse in Woman's World and an article on stretching in Runner's World , include the Woman's World but not the Runner's World . If you belong to a national writers organization like RWA, ACFW, SFWA, MWA, then include it. Also include if you’ve ever worked in a publishing house or for a magazine. Don't ramble on for paragraphs and pages about your family and experiences—keep it to only those things that are pertinent for your story. If the main plot of your story is about hang-gliding and you've done that several times, then include it. But if your story is about the stock market, then don't include the hang-gliding experience. Your social connections can also have pertinence. If your story is set in medieval Scotland and you belong to a local Scottish Heritage group, then mention that. However, if the main plot o

Quick tip for how to write a synopsis Another quick tip for how to write a synopsis

This is basically the same as the story blurb you included in your query letter. Your story blurb will either hook the editor or not. Here are some pointers. 1) Try to write it in the tone or voice of the novel. If your manuscript is a romantic comedy, make the blurb sound fun and flirty. If your novel is a dark thriller, make the blurb sound sinister and exciting. 2) It should name the main protagonists. The villain can also be named if he/she is a major protagonist. 3) The main protagonists' external goals should be clear. 4) There should be some hint of the major obstacle(s) in the protagonists' way. 5) A nice touch is to add a little info on the main protagonists' internal or spiritual conflicts. 6) Unlike a synopsis, you do not need to give away the ending, but you may if you prefer. Example: Risa Takayama would rather eat rotten tofu than listen to her aunts’ tweaking her about her weight and lack of a Significant Other. She’s the Elephant Man next to her Barbie-doll

Not all proposals are set up the same way, but here’s a bare-bones structure of a typical one. --(optional) Story blurb. Just a paragraph—two to four sentences—about the story. Similar to back cover copy. --Synopsis. Should be about one to two pages long. DO reveal the ending. This is the entire story laid out. See “Synopsis” on the right sidebar to see my other articles on synopsis writing. --Bio. Your writing credits, any experience in the writing or publishing industry, and any social connections or life experiences that have any relevance to the story. --Hook. What makes this story unique? How is this story different from any other book that’s sitting on the shelves at Barnes and Noble? What kind of spiritual, emotional, or personal message will a reader glean from it? --Category/genre. Make it easy for the editor/agent to know what the major genre is. --Length of manuscript. Round to the closest 100 or 1000 words. --(optional) Alternate titles. Expect your publisher to change your

Novel Manuscript Format for CBA Publishers Things are a bit different between Christian publishers and mainstream publishers, so this article will mostly address the fiction guidelines of the major CBA publishers and agents. (Non-fiction guidelines may differ.) The following instructions for changing the formatting of your electronic document is for Microsoft Word versions older than 2007. I'm not familiar with Word Perfect or Word 2007, unfortunately, so in order to change your settings to the formatting mentioned below, you will need to do a website search for instructions (for example, you can Google “How to set margins in Word 2007”). Most publishing houses use Microsoft Word, whether the older versions or 2007. Printer: Use a good printer. Avoid dot-matrix printers entirely. If you do not own a printer, your pages can be printed out at your local print shop or office supply store for a modest price if you bring your document to them on a disk or CD. Paper: Should be