Story Sensei

It's been a while, but I finally did another evaluation of the various things I've been trying in order to improve my productivity. I feel like I’m getting closer to optimizing a schedule that makes me most productive despite my health issues. Click here to read Evaluation 7.

Maybe I’m just weird, but I like to know how different writers do their writing. I like knowing how they spend each day. I like knowing their process when they write a book, from idea to outlining to drafting to editing. Every writer is different in subtle ways, and I’ve discovered that a writer can discover what works best for them by seeing what works for other people, and then experimenting and trying it for themselves. Sometimes a process works, sometimes it doesn’t, but at least you’ve tried it to see. I spent a lot of time trying out methods to improve my productivity and enable me to write the best book I can. I thought it might be interesting to list what my book creation process is. Not all my methods will work for all writers, but I might do some things in a way you haven’t tried before, and it might be a process that ends up working for you. Stage 1) I usually start with the characters. I write the backstory and family first, and I jot notes in a file in Scrivener as

I’m really glad I started my daily writing blog. I’ve picked up on a lot of my habits (both good and bad) and my tendency toward distraction has become more obvious to me. I also figured out some tactics that seem to work best for me to improve my writing productivity—I think I’ve figured out (at least a little bit) how I’ve been able to improve my writing consistency, the number of hours I’m able to focus on my writing, and how I’m able to be more efficient at my writing tasks. If you’d like to read it, the Day 28 evaluation is here . Please also be aware, since I’m a full-time writer AND a plotter, the tactics I came up with may not be helpful for every writer.

I was re-reading Write Better, Faster: How To Triple Your Writing Speed and Write More Every Day , and I realized that while I’ve tried the other techniques in the book, I never actually did a writer’s diary. She gives good reasons why it’s important, but I just never got around to doing it when I was setting up my spreadsheet to track my writing statistics. I think it will be good to do this diary because it will be raw data for me—a record of exactly what I did each day for my writing. A review of each day will enable me to record any insights I might discover about my writing habits. With that collection of raw data in my diary, I’ll be able to see larger-scale trends in my writer’s process so that I can adjust and correct as needed, and hopefully improve my productivity. But I thought that my normal Story Sensei blog readers might be annoyed at daily entries with minute detail of my day, so I repurposed one other Blogger blog I had lying around and made it Camy’s Writing Diary

I’ve known some writers who have tons more time to write during holidays, but the majority of writers I know have less time. Many of them just accept the fact that they’re not going to be able to keep up their daily word count goals. But for me, after battling several bouts of writer’s block over the past few years, now that I’ve maintained a steady discipline of writing every day for a few months, I don’t want to break that streak. Part of me is afraid I won’t be able to regain my daily writing discipline after the holiday season. I just don’t want to lose the momentum. I’ve never really thought of myself as a perfectionist, but I’m realizing that I depend heavily on certain comforts around me when I write. I enjoy writing at my desk with my big monitor, with a blanket on my legs and surrounded by shelves of my book collection, a carafe of tea next to me. I usually have a nice big chunk of time available to write so I can build up my words-per-hour momentum and really increase my

It’s been a few years since I last had a book out, and while some of that is because I changed my mind about how I wanted the next book to go, for some of that time I had a few bad bouts of writer’s block. I know there are people who say writer’s block doesn’t exist, and/or it’s just your subconscious trying to tell you something about your story or about your own emotional state. I’m not here to debate that. All I know is that I couldn’t write, for whatever reasons, when I hadn’t had bad writer’s block during my time writing for Love Inspired, Guideposts, and Zondervan. I know that sometimes when I had writer’s block, it was due to stress. There were family issues that came up and I could clearly tell that I was worried and that made it difficult for me to focus emotionally on writing. I personally need a calm heart and clear mind to create fiction, and it’s very hard for me to write when I’m emotionally upset. Some writers rage-write or cry-write to great emotional impact, but I’

kapitan_kraken posted this quote on the writing subreddit: "Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will clo

I’ve been struggling with writer’s block/lack of motivation in my writing for several months now, and I’ve been battling it the way I’ve always battled it before—I sit my butt down in a chair and force myself to write, powering through the blah feeling and writing absolute crap as if I’ve forgotten everything I’ve learned about writing prose. The problem with this is that if the writer’s block/lack of motivation lasts for a long time, that kind of “powering through it” can get really tiring. So I’ve also been reading writing books to try to glean some new trick or technique to use. I read 5000 Words Per Hour by Chris Fox and I really liked his concept of timed writing sprints. I found that the time pressure really helped me to turn off the internal editor and just write. Rather than being stuck on a particular scene or page, I would force myself to just write whatever came to mind even if it was trite and bland, because I can always fix it later. If I really couldn’t think of s

Captain's Log, Stardate 07.08.2010 The highlight of my year is always the ACFW conference in September. It’s my favorite conference for so many reasons, some of which are: 1) the friends I get to see there 2) the industry professionals I get to meet 3) the workshops 4) the nice hotel (I am SO not a “roughing it” girl. I need room service.) I’m terrible at forgetting what to bring every year, so this year I figured I’d make a list. And I also thought it might be a useful list for other people who might be going to conference, too (not just the ACFW conference, but any writer’s conference). So here goes, in no particular order: 1) business cards and/or bookmarks . For me, bookmarks are usually easier. 2) A one-sheet of my latest proposal. Dineen Miller did a great blog series on One-Sheets: http://www.acfw.com/blog/?p=137 , http://www.acfw.com/blog/?p=170 , http://www.acfw.com/blog/?p=203 , http://www.acfw.com/blog/?p=248 , and examples here: http://www.dineenmiller.

Hey guys, I'm at Seekerville talking about a writer's best writing time: Camy here! As I write this, it’s late evening in California, because I’ve discovered my best writing time is usually in the evening and early morning hours. For years this really frustrated me because who in their right mind writes best at 2 a.m.? Especially when I had to get up at 8 a.m. to go to my biology job. (Pain and suffering ...) Why can’t I be like Ruthy who can get up at (Godforsaken) 4 in the morning to efficiently zip off a chapter before breakfast? Click here to chime in and let me know your best writing time!

Lynda Schab interviewed me on my journey to publication! This was fun because she asked questions on topics I didn't think about when I first gave my writing journey story . Now, Camy shares her journey to publication: Fiction, non-fiction, or both? Fiction Genre: Romantic suspense and humorous contemporary romance How many books have you written? 9 How many of those have been published? 4 Years you've been writing: Longer than dirt. Okay, seriously, I started writing in Junior High or High School, but didn't start writing seriously until I got laid off from my biology job, which was in 2002 Click here to read the entire interview!

Camy here: I'm especially pleased to post this excerpt because I'm in this book, too! I have a piece on finding and developing your writer's voice, that elusive "something" in your writing that makes the piece uniquely yours. I hope you guys enjoy this excerpt enough that you'll buy the book! All proceeds from this book go to charity. A Novel Idea Tyndale House Publishers, Inc. (November 1, 2009) by Various Best-Selling Authors (contributions from best-selling authors including Jerry B. Jenkins, Francine Rivers, Karen Kingsbury, Randy Alcorn, Terri Blackstock, Robin Jones Gunn, Angela Hunt and more) ABOUT THE BOOK: Best-selling Christian fiction writers have teamed together to contribute articles on the craft of writing. A Novel Idea contains tips on brainstorming ideas and crafting and marketing a novel. It explains what makes a Christian novel “Christian” and offers tips on how to approach tough topics. Contributors include Jerry B. Jenkins, Karen Kingsbur

I just read this great post on Alicia Rasley's blog. She has a very candid style which I appreciate and like. I agree with what she's saying in this about writers who want to "buck the system"--not that it's wrong, but you have to make concessions if you do: I have noticed a sort of interesting attitude in some submitters. It's that the trick is "getting away with it". You know, say I point out that a four-page long prologue all in italics (because, I guess, it takes place in the villain's head) might be kind of annoying. (I'm making this particular issue up, as the attitude is the important thing.) And the submitter comes back with (rule #1-- don't argue when you're being rejected... it doesn't help), "But (insert bestselling author's name) got away with it!" Click here for the rest of the article

I'm over at Routines for Writers today talking about Promotion! And before you click away, I want to stress that it's never too early to think about promotion! Hi there! My name is Camy Tang, and I'm thrilled to be guest blogging today! Now, before you look at the title and think it doesn't apply to you, let me tell you—I firmly believe that it's never too early to start promotion, especially if you are a serious writer, seriously pursuing publication. Your book contract might come next week or next year or in a few years, but if you already have your promotion and marketing set up, you're a leg ahead of all the other writers submitting to agents and editors. Yes, they look to see what you already have set up in terms of marketing! Click here for the rest of the article

I'm over at Seekerville today talking about crossover! A few people have asked me about when I first switched genres. I learned a few things along the way, and there's also something very important I realized—whether you're a Christian fiction writer who wants to cross over to mainstream or a contemporary romance writer wanting to cross over into romantic suspense, there are a few things a writer should do to give you a better chance of success. Click here for the rest of the post and to chime in to the conversation!

I’m on the Steeple Hill blog in an interview with advice for writers, especially those targeting Steeple Hill. 1. What’s your sale story? How did you end up selling to Steeple Hill? I’ve been reading Steeple Hill books since the 1990s, so when I first started writing seriously, I targeted Steeple Hill as a publisher. Click here for the rest of the interview

An old article of mine is on WannaBePublished.blogspot.com today! The Gallup Poll website is fascinating. Okay, I admit, I’m a geek. However, it’s also useful in gathering information about the book business, which is important for a writer. Click here to read the rest of the article.

Today I'm blogging at Seekerville about options for inexpensive writing retreats: Camy here, feeling the crunch of the economy just like all of you. But sometimes, you need something to jumpstart your creativity or to kick you out of a writing block. Writing retreats are wonderful things, because they can do many different things: --Help to immerse you in that creative right brain mode so you can get “in the zone” --Give you that kick in the pants you need to plow through a writing block or a difficult patch of writing --Eliminate distractions that might be keeping you from writing effectively or efficiently --Help you to focus and pay attention to details But let’s face it, writing retreats are expensive . Click here to read the rest of the article