Story Sensei

I wrote earlier in my Book Creation Process that just before I start writing my manuscript, I’ll take time to write down blocking notes. For me, “blocking” is like blocking in a live play. It’s writing a step-by-step description of what happens in a scene to make it easier for me to write the rough draft. The concept is the same as the “beats” described in Write Better, Faster: How To Triple Your Writing Speed and Write More Every Day , but I call it blocking because “beats” is sometimes used to refer to high-level outlining. Blocking is also mentioned (although she doesn’t call it “blocking”) in 2k to 10k: Writing Faster, Writing Better, and Writing More of What You Love ). In Write Better, Faster , the author explained her process in more detail. She calls them beats. She writes one paragraph about each scene in her outline. Then from the one paragraph, she asks a series of questions about each sentence in the paragraph, and in answering all those questions she elaborates on the

Maybe I’m just weird, but I like to know how different writers do their writing. I like knowing how they spend each day. I like knowing their process when they write a book, from idea to outlining to drafting to editing. Every writer is different in subtle ways, and I’ve discovered that a writer can discover what works best for them by seeing what works for other people, and then experimenting and trying it for themselves. Sometimes a process works, sometimes it doesn’t, but at least you’ve tried it to see. I spent a lot of time trying out methods to improve my productivity and enable me to write the best book I can. I thought it might be interesting to list what my book creation process is. Not all my methods will work for all writers, but I might do some things in a way you haven’t tried before, and it might be a process that ends up working for you. Stage 1) I usually start with the characters. I write the backstory and family first, and I jot notes in a file in Scrivener as

It’s been a few years since I last had a book out, and while some of that is because I changed my mind about how I wanted the next book to go, for some of that time I had a few bad bouts of writer’s block. I know there are people who say writer’s block doesn’t exist, and/or it’s just your subconscious trying to tell you something about your story or about your own emotional state. I’m not here to debate that. All I know is that I couldn’t write, for whatever reasons, when I hadn’t had bad writer’s block during my time writing for Love Inspired, Guideposts, and Zondervan. I know that sometimes when I had writer’s block, it was due to stress. There were family issues that came up and I could clearly tell that I was worried and that made it difficult for me to focus emotionally on writing. I personally need a calm heart and clear mind to create fiction, and it’s very hard for me to write when I’m emotionally upset. Some writers rage-write or cry-write to great emotional impact, but I’

I just discovered a great resource for inspiration, reminders, and tips for writing. I’ve been in a bit of a plotting rut and so I do what I usually do, which is watch TV shows and movies. This time, I watched the audio commentary for one of my favorite movies, Captain America: Civil War . I didn’t realize that I’d get so many great ideas for plotting, characterization, dialogue beats, theme, mood, and setting by listening to the directors and the screenwriters comment as they viewed the movie. It not only gave me a springboard for my own plot and character ideas, but it reminded me of techniques I’d forgotten about, which helped me in my story structure and character development. It’s a shame that I’m only realizing this now, because it’s a resource I’ve always had, in the movies I’ve bought on iTunes, but never utilized. I’ll definitely be using this more in future. I hope this tip helps you guys, too—pick your favorite movie and listen to the audio commentary. You never know w

A writer asked me this question: I recently started writing a novel based off a couple friends and I wondering what would happen if we got thrust into a messy world of insane, chaotic, and anything considered un- or supernatural events.  I have already done a bit of tweaking to one character to make her a bit more agressive and aloof, but two other main character (out of four) are rather shy.  In real life, they don't talk much, and while they have come out of their shells quite a bit in the years I have known them, I doubt they'd ever be the type of people to rush head first into a life-or-death fight that could change the fate of the world you see in just about evrry novel on the shelves.  My question is, is it a bad idea to have them in the story?  I think with the dynamic our little group has it would be very interesting as characters, but I don't want them to be critiscized as boring or unoriginal. My feeling is that all characters, whether main or secondary, should

Heroine's Journey worksheet $5 I was asked to describe my Heroine’s Journey many times and I even taught several workshops on it at writer’s conferences, and so I decided to write a more detailed worksheet on the subject. I read about the Heroine’s Journey from several books and compiled what I learned here in one place. This is the same worksheet I myself use for my own novels. Why the Heroine’s Journey? Because sometimes the story arc of a female character will differ from the traditional Hero’s Journey because of the affects of culture and time period upon the character because of her gender. This will create specific psychological differences in how a male and female character will respond to conflict in a story. Joseph Campbell’s original book is based on the writings of psychoanalysts and the world myths. The Hero With a Thousand Faces is a psychological analysis of the classical myth formula that breaks down the myths into a basic structure, showing the psychological

I got the below message from Tonya, who graciously agreed to let me answer her questions on the blog in case some of her questions are those some of you are curious about, too. Hey Camy! I just found your story sensei blog & think it's fabulous :) I have a few writing questions for you though I obviously want to be a novelist. I took the CHristian Writers Guild Apprenticeship & decided to start working on my first novel. I've gotten to a point where I'm simply stuck. I feel like I have an idea of what the book is in my mind but what I'm writing isn't conveying it. It makes me wonder if my idea is above my skills levels when it comes to conflict & dialogue etc. Camy: No. A writer doesn't need some sort of advanced skill or superpower to write out the idea in her head. It could be just that you need to think it through more, mull it over, or learn some plot skills in order to fully flesh it out. So I'm seriously considering setting i

From Sarah Forgrave: - I've got a series idea that would follow a family with three daughters and a basic storyline for each. I'm a plotter and planner, so I'm wondering if you recommend planning out all three or four stories at once so they're intertwined? Do you have any other tips on how to approach a series? Camy here: It depends on the storylines you're thinking of. If you'd like each story to stand on its own (which most of my editors have wanted, but may not necessarily be true for your editors), then my suggestion is to spend time really developing each character so that you know their fears, desires, wounds, etc. The characters' actual storylines for their novels might end up changing as you write each story, also, so this is a safe route to go--you have a good handle on the characters, but you're leaving yourself some wiggle room in terms of their stories. If you're thinking that you'd like the stories to be strongly intertwined, then

I guest blogged about plotting on the blog of my friend Pamela James : My Five Best Plotting Tips for Novelists Thanks to Pammer for letting me guest blog today! Now, just to warn you, not all of these will resonate with you because every writer is different and works differently in how he/she crafts the story. For me, sometimes every story writes itself differently! Oy! But hopefully these tips will help you if you get stuck. Click here for the rest of the article