Story Sensei

I was over at Life with Missy: I’m so excited to be on Missy’s blog today! Missy asked me to answer the question, "Is it easier to write suspense because of the built-in conflict of a villain?" Actually, the presence of a villain in romantic suspense makes it a bit harder to write. Suspense villains tend to have very strong motivations for the evil and mayhem they’re causing, but that also means I have to make sure that their every action and decision is logical and works toward their ultimate desire. Click here for the rest of the article

I'm over at Seekerville today talking about crossover! A few people have asked me about when I first switched genres. I learned a few things along the way, and there's also something very important I realized—whether you're a Christian fiction writer who wants to cross over to mainstream or a contemporary romance writer wanting to cross over into romantic suspense, there are a few things a writer should do to give you a better chance of success. Click here for the rest of the post and to chime in to the conversation!

This is continuing my series on things to look for in your first page. Click here for part three. Indicate the genre When an editor opens your book, he/she should be able to tell what your genre is right off the bat. Genre does not have to be established in the first line, but it should be fairly obvious by the end of the first page. You don’t want to open your story with: The wagon train left a dust cloud that Shep could see from seven miles away. when your story is a contemporary thriller. Use key words to indicate to the editor/reader what genre your novel is. Certain words or phrases are indicative of different genres by tapping associations in a reader’s mind. “Glock” will usually indicate a suspense or thriller or crime drama. “Wagon train” will usually indicate a Western or a historical prairie romance. “Desire” in context will typically clue the reader in to the fact that the story is a romance of some sort. Another benefit of indicating genre in the first page is that it will

One thing I never got a chance to talk about in my article on finding your brand is when you want to nail down the basic genre you should write in. I know lots of writers (myself included) who would love to write in several different genres. Before I was published, I had to decide which genre to focus on, which genre I would want to break into publishing in. It's not an easy decision, but I wrote this article, which originally appeared on Suite101, that gives tips on how to pick your genre, as well as the reasoning behind why you need to pick one. Tips for Novelists Trying to Determine a Genre For novelists who write a variety of genres, here are a few tips for how they can nail down which one(s) to focus on. While there are many published authors who write in several genres, for an unpublished author trying to break into the publishing industry, it’s good to find one genre to commit to for at least a few books. Why Commit to a Genre? This helps out the editor, who c

I’m on Tina Ann Forkner’s blog , talking about chick lit in the CBA, and where I think it's going. Anyone who writes humorous women's fiction might want to check it out. Update: Someone hijacked Tina's blog and she switched to Wordpress, but lost the guest blog post. So, I'm posting it here. Enjoy! The evolution of chick lit We’ve all heard it—chick lit is dead. And let’s face it, after a while, it’s a bit tiring to read about yet another designer-clad, latte-chugging single girl in the city. Some people don’t realize that chick lit has always been a subgenre of women’s fiction. Yup, that angsty stuff. Think about it—it’s about a woman/girl’s personal journey. It’s not necessarily a romance. She travels from one state of mind, heart, job, and living situation into another. She might pick up a guy along the way, but not necessarily, because her existence doesn’t require male accompaniment. But what sets chick lit apart—at least for me—is that it’s funny and it’s real. I