Story Sensei

Maybe I’m just weird, but I like to know how different writers do their writing. I like knowing how they spend each day. I like knowing their process when they write a book, from idea to outlining to drafting to editing. Every writer is different in subtle ways, and I’ve discovered that a writer can discover what works best for them by seeing what works for other people, and then experimenting and trying it for themselves. Sometimes a process works, sometimes it doesn’t, but at least you’ve tried it to see. I spent a lot of time trying out methods to improve my productivity and enable me to write the best book I can. I thought it might be interesting to list what my book creation process is. Not all my methods will work for all writers, but I might do some things in a way you haven’t tried before, and it might be a process that ends up working for you. Stage 1) I usually start with the characters. I write the backstory and family first, and I jot notes in a file in Scrivener as

Barbara Scott is Exclusive acquisitions editor for Abingdon Press fiction and she has just started a new blog! Check it out! The Roving Editor Exclusive acquisitions editor for Abingdon Press fiction. More than 30 years experience in newspaper, magazine, and book publishing. Mentor, teacher, editor, author, speaker. Lover of God, family, and friends.

Today, Wednesday, May 5 , www.seekerville.blogspot.com   is hosting a special guest -- Steeple Hill Executive Editor JOAN MARLOW GOLAN .  We'll be posting an interview with her, plus she's agreed to pop in several times that day to answer questions.    Hope you can join us!  

Got this from Cheryl Wyatt: Someone just sent me this link. Thought it'd be helpful to anyone targeting Steeple Hill. http://www.eharlequin.com/store.html?cid=749 Hugs -- Cheryl Wyatt www.cherylwyatt.com 15-author blog! www.seekerville.blogspot.com Ready-Made Family (4.5 stars RT) IN STORES NOW!

In the ACFW Afictionado ezine, there's a good article/interview with editor Barbara Scott from Abingdon Press: A Few Moments with....Barbara Scott A few friends of mine are being published through Abingdon, and I knew Barbara when she had been editor at Zonderkidz. She's a terrific person and I like her a lot. I'm also really excited about the new Abingdon fiction line--there's a huge variety of stories that are sure to appeal, and Barbara is collecting a lot of fresh writing voices for her stable of authors. Check out the article if you think you might be interested in submitting to Abingdon!

For Love and Money Week in Seekerville ( www.seekerville.blogspot.com ) Monday Jan 5: Deb Ng on professional blogging. Deborah Ng is the genius behind Freelance Writing Jobs. Tuesday Jan 6: Cindi Myers on the working writer. If you don't know Cindi, check out her Market News Yahoo Group or her website for news on her latest release A Man To Rely On, from Super Romance. Wednesday Jan 7: Michael Bracken on writing for the Confessions. Michael is a phenom in the confession world and we are thrilled to have him stop by and share. Thursday Jan 8: Abingdon Press Senior Acquisitions Editor for Fiction, Barbara Scott, is back for an Encore, Encore!! Friday Jan 9: Myra L. Johnson on the Christian nonfiction market. In addition to her multiple fiction sales in 2008 (Heartsong and Abingdon), Myra is also a nonfiction writer. Saturday Jan 10: Tina Russo shares on writing romantic fiction for Woman's World Magazine. Keep an eye out for her latest Woman's World story, Letting Go, which i

There will be a great interview with Melissa Endlich (Senior Editor for Steeple Hill) on Seekerville tomorrow. PLUS, Melissa will be popping in to answer any questions people post in the comments, so make sure you head to Seekerville to participate in the conversation!

Brandilyn Collins posted about the opening of a new fiction line at Abingdon Press. I've met the Senior Acquisitions Editor, Barbara Scott, and she's both talented and personable. She has a terrific reputation and I would jump at a chance to work with her. New Fiction Line

This is a good article by Jordan Summers about getting published, being a breakout, and marketing for published authors: New York

My previous article on pitching to editors and agents was in informal settings. This is more targeted information about when you have an appointment to speak to an agent or editor. Because you have several minutes, the purpose of an agent/editor appointment at a conference is more than just pitching. It’s a chance for you to learn about the agent/editor’s personality, and if they’re someone you want to work with. This is very important. A business relationship is more than just professionalism—it’s how personalities work with each other, kind of like a marriage. Therefore, use your time wisely. I’m going to break this down into writer experience level, because I agree with Randy Ingermanson when he talks about Freshman, Sophomore, Junior, and Senior level writers . (If you haven’t read his article yet, please do so before continuing with this one, since I’ll be referring to it.) For Freshmen, Sophomores, early Juniors: My suggestion is not to officially pitch your story at all. I’ve h

(Part One is here .) When I first started going to conferences, I had the Hello down pat, but couldn’t think of what to say after that. I had to learn the art of conversation, but I discovered it’s actually not that hard. More than a list of questions to remember—which you won’t remember when you’re nervous and meeting people—here are a few tips on how to keep the conversation going. Keep up with publishing news. This is useful for conversation with editors, agents, and even writers. You can ask editors questions about their publishing house based on information you might have read, or you can ask the agent questions about a certain genre market. For example, there were several personnel changes in a specific publishing house in a short period of time, and I had read about it. I chatted with an employee for that publishing house at a conference and asked her how things were going, if things had settled into a routine, if the personnel was replaced yet, etc. Keep yourself well informe

I am not a natural extrovert, but I exert myself when I’m at a conference because I want to meet people. However, since I’m not naturally an extrovert, I had to teach myself how to meet people at a booksigning, or while walking the floor of ICRS, or when mingling with writers at a conference. These are a few tips for writers who are introverts like myself. Much of it is simply common sense or common politeness, but it’s good to reiterate here so you are aware of specific things to avoid doing, and specific things to exert yourself to do. DON’T go up to chat with someone you know if they’re talking with someone else. Be sensitive. They might be in an important conversation with their agent/editor/publicist/marketing director. If they wave hi to you but go on talking to the other person, definitely don’t crash their conversation—just keep walking past. However, if they pause the conversation to give you a hug or say a few words, then it’s fine for you to approach them. DON’T gush

Pitching to Editors and Agents at Conferences I'm not a natural extrovert, but I force myself to be one at conferences in order to meet writers, editors and agents. I want to present a professional demeanor and make a good impression. That's kind of hard to do when my mouth has suddenly become the Mojave desert and my legs have rooted through my Nine Wests into the floor. Smile Go on, force your mouth to stretch out and up. From my psychology classes, I know that just the action will make you feel better and help you relax. Buddy up There's nothing wrong with asking a friend to walk with you as you approach Agent X. Agents and editors are not monsters, nor do they bite. Many of them are not extroverts, either. They understand the nervousness of meeting someone new, especially if it's someone you WANT to meet. Your buddy doesn't have to do much more than stand there and smile. If the agent or editor asks, they can mention they're there for "moral