Story Sensei

Maybe I’m just weird, but I like to know how different writers do their writing. I like knowing how they spend each day. I like knowing their process when they write a book, from idea to outlining to drafting to editing. Every writer is different in subtle ways, and I’ve discovered that a writer can discover what works best for them by seeing what works for other people, and then experimenting and trying it for themselves. Sometimes a process works, sometimes it doesn’t, but at least you’ve tried it to see. I spent a lot of time trying out methods to improve my productivity and enable me to write the best book I can. I thought it might be interesting to list what my book creation process is. Not all my methods will work for all writers, but I might do some things in a way you haven’t tried before, and it might be a process that ends up working for you. Stage 1) I usually start with the characters. I write the backstory and family first, and I jot notes in a file in Scrivener as ...

I just discovered a great resource for inspiration, reminders, and tips for writing. I’ve been in a bit of a plotting rut and so I do what I usually do, which is watch TV shows and movies. This time, I watched the audio commentary for one of my favorite movies, Captain America: Civil War . I didn’t realize that I’d get so many great ideas for plotting, characterization, dialogue beats, theme, mood, and setting by listening to the directors and the screenwriters comment as they viewed the movie. It not only gave me a springboard for my own plot and character ideas, but it reminded me of techniques I’d forgotten about, which helped me in my story structure and character development. It’s a shame that I’m only realizing this now, because it’s a resource I’ve always had, in the movies I’ve bought on iTunes, but never utilized. I’ll definitely be using this more in future. I hope this tip helps you guys, too—pick your favorite movie and listen to the audio commentary. You never know w...

(This was originally posted on another blog, but I reposted it here.) I wanted to talk about conflict today, because we all could use more conflict in our lives, right? Especially now that it’s December and Christmas is around the corner? (Breathe ... breathe ... I’m just kidding! I mean, I’m kidding about us needing more conflict in our lives, not about Christmas being around the corner. And if you’ve still got your head stuck in the sand of denial about Christmas—you have only nine days left, sugar. Get cracking.) Anyway, one of the best things I picked up from a Donald Maass seminar was his injunction to add tension to every sentence on the page. Yes, you read that right. Every sentence. Okay, real world application: I typically can’t add tension in every single sentence, but I definitely try to add tension in every paragraph. And I aim for tension in every sentence as much as I possibly can. Why do we need more tension and conflict? Because the reality is that conflict is what keep...

This article that I wrote originally appeared on Suite101. Troubleshooting a Weak Climax Ideas For Fixing a Disatisfying End to the Story If the climax of a novel seems off, here are a few common weaknesses that can be fixed. Sometimes a writer’s critique partners or first readers will comment that they didn’t like the ending of a story, or that the novel didn’t resolve well. While critique is always good, a vague “I didn’t like the ending” isn’t helpful for fixing it. However, there are a few mistakes often made but easily fixed to create a stronger climax. The Character Isn’t Boxed In Make sure you have taken away all other options for the character. If the character reaches the climax but still has several ways out, or a reason to not keep fighting toward the climax, it makes the character look silly or stupid. Work on your character motivations and increase conflict so that the character is forced into the bottleneck of the climax. A good way to box the character in i...

This article that I wrote originally appeared on Suite101 Creating an Emotionally Resonant Climax How to Bring a Story to an End There are four steps that can heighten tension and reader interest in the climax of a story. The Beginning of the End is often used to refer to the climax of the story, or roughly the last 25% of the novel (in terms of word count or page count). After building the tension and conflict of the middle of your novel, now you want a strong ending that will grip the reader, then provide resolution and release of tension. Give the Character a Certain Personal Principle It heightens the emotional effect of the climax to bring the character’s principle into the mix. Tying principle with external situations gives life meaning for the character, which can help heighten emotional and psychological resonance between the reader and the character. This is one way a writer can manipulate the reader’s feelings through fiction. Have the Character Keep His Princip...

This article that I wrote originally appeared on Suite101. Writing Interesting Valleys in Between Peaks Keep the Reader Intrigued Even If Conflict Has Ebbed In lulls in the novel, narrow the scene’s focus or change things up to keep the reading pace strong. Stories are a series of peaks and valleys, high tension scenes and low tension scenes, also known as Scenes and Sequels . You must have those lulls in order to give the reader a chance to catch his breath, and also to set up the next scene. However, while you must have these low tension scenes, make sure they don’t put your reader to sleep. Use Words and Phrases to Pace the Sequel In general, higher tension scenes have shorter sentences and a choppier reading flow to encourage a faster reading pace, so for lower tension scenes, use longer sentences and more flowing grammatical structure. Obviously, don’t go to extremes. Use your own better judgment in this. However, this can be a valuable tool to clearly indicate to...

This article that I wrote originally appeared on Suite101. Writing Conflict-Filled Scenes The Classic Scene as Described By Dwight Swain Dwight Swain’s Scene can be broken down into easy segments to enable the writer to write a high tension, interesting story segment. One of the most famous writing books is Techniques of the Selling Writer by Dwight Swain, where he breaks down fiction writing into modules. One of his most popular techniques is Scene (described in this article) and Sequel. Swain describes a Scene as “a unit of conflict lived through by character and reader.” The key word here is Conflict. Goal The Scene moves the story forward by changing your character’s situation. To do that, the character has to want something different than what he already has: the Scene Goal. Basically, what the character is striving for in the Scene. He doesn’t necessarily achieve it, but he has to at least have an idea of what he wants at the beginning of the Scene. There are thr...

This article that I wrote originally appeared on Suite101. Increase the Tension of a Scene Building Peaks in the Story Build the story toward the climax by ramping up conflict in scenes. Novels are a series of peaks and valleys, the ebb and flow of tension. If the story were all tension, it would tire the reader out. If the story were all tension-less, it would be boring. A novelist should build the tension of the story in each peak and balance that with a valley. But each peak should build to a higher point of tension than the one before. Combine Conflicts Into a Single Scene Sometimes, a story will have several separate scenes, but each scene’s tension level is the same. Consider combining scenes. The addition of obstacles will make the scene worse and worse, ramping up the tension rather than having separate scenes of the same tension level. For example, a detective is searching for a lost child. In one scene, he confronts a drug dealer. In a second scene, he ...

This article that I wrote originally appeared on Suite101. The Value of the Unanticipated Sprucing Up a Blah Scene A writer can inject unexpected disaster into an uninspiring scene to take it from boring to brilliant. Many times, writers themselves know when a scene is lacking. They may have structured it well, conveyed just the right amount of information, and revealed wonderful characterization via clever dialogue. Yet they'll read the scene they've written and know something is off. While the solution isn't always lack of conflict, many times adding a specific type of conflict can lift a drab scene to one with sparkle. Add the Unanticipated A well-structured scene can still be boring if there's not enough conflict, or if the conflict is too predictable. Dwight Swain is the first writing teacher to publish about Scene and Sequel . In a Scene, the character has a scene goal and obstacles against that goal. Are your obstacles unique? Or are they predi...

This article that I wrote originally appeared on Suite101. Building Toward the Climax Increasing Pressure On the Protagonist of a Novel Make the middle of the novel ramp up the tension and conflict and set the reader up for the exciting climax. Many times, a sagging middle could be because the tension is not increasing, but remaining the same. There are several things to keep in mind to help the middle build tension and drag the reader along for the ride. Make Things Worse As you introduce more change and complications to the character, make sure that it all works to thwart the character from his external goal. Each obstacle should make it harder and harder for him to reach his goal, making his situation worse and worse. This increase in trouble will increase the tension of the story, and increase reader interest. Strive for the unexpected and unanticipated when you add conflict to the story. Drop surprising disasters on your character. This doesn't necessarily mea...

This article that I wrote originally appeared on Suite101. When a Scene Isn't Working Tips For Overcoming Writer's Block Here are three questions to ask when a particular scene seems stalled. Whether you believe in "writer's block" or not, there are always times when a writer gets stuck on a particular scene. It can almost feel like hitting your head against a brick wall. Many times, the writer's unconscious instinctively recognizes when there's something wrong with the scene. While not all scenes have the same problems, there are three questions a writer can ask himself that might help jump-start the writing flow. What Is the Character's Scene Goal? The character should walk into the scene hoping to accomplish something by the end of the scene. This is his Scene Goal. He may or may not achieve it—in fact, more often than not, he doesn't succeed—but he has this purpose in mind at the start. Also, the character should pursue this goa...

This article that I wrote originally appeared on Suite101. Avoid the Sagging Middle Tips to Write a Dynamic Center Segment of a Novel Here are a few principles to help a writer avoid a stagnant or slow-paced middle section of a novel. The focus of the middle of the novel is to push your character to the climax. If writers can keep that point in mind, it will help them craft the events of the middle section to be more driven and purposeful. Here are a few principles to write by. Strive For Constant Change Obstacles force the character to adjust his plans toward his external goal . Faced with each obstacle, the character has to decide what to do next. He makes adjustments, still with that external goal in sight. Then, another obstacle. More adjustment, more decisions. More striving toward his external goal, but via a different path. Then another obstacle. This is the ideal pattern for the middle portion of the book. It provides constant change for the character, which...