Skip to main content

Choosing Vibrant Words

YOU NEED TO CHOOSE WORDS THAT ARE BOTH UNDERSTANDABLE AND VIBRANT.

Vibrant:

Your description should include all five senses--sight, smell, taste, touch, sound. This will bring your reader into the story, help them to experience what the character is experiencing. This will create the atmosphere, this will make the reader forget the real world for the fictional one.

Use specific nouns and adjectives. Not "a sad girl," but "a suicidal 14-year-old soccer player." Not "a sunny neighborhood," but "a tree-less suburb of monotonous cookie-cutter development homes."

Use active verbs. A few rules of thumb for verbs:

1) "To be" verbs are weak. "She was on the stage" versus "she quaked on the stage," or "she sparkled on the stage."

2) "Had" is jarring to the reader.

Joy remembered the time she had gone to the grocery store and had picked up a few sodas, but then Johnny had driven up in his motorcycle and had asked her if she wanted a lift. She had coyly refused with her mouth but her heart had screamed yes. Oh, if only she hadn't been so stupid.

If you're describing a past event being recalled, use one "had" in the beginning, and then maybe one "had" at the end, and then continue with the present narrative:

Joy remembered the time she had gone to the grocery store and picked up a few sodas, but then Johnny drove up in his motorcycle and asked her if she wanted a lift. She coyly refused with her mouth but her heart screamed yes. Oh, if only she hadn't been so stupid.

3) Adverbs should be minimized. The current writing trend is to eliminate them as ruthlessly (haha) as possible, but in general, they're just tedious after a while. Replace adverbs with more specific verbs. "She angrily walked to the front door and quickly opened it," versus "She flounced to the front door and yanked it open."

If you do need to use an adverb, put it at the beginning or the end of the sentence for the most vivid effect: "Efficiently, she cleared the desk." "He whined monotonously."

Exercise:

Edit something you've written. Use the following checklist:

1) Did you use all five senses?
2) Did you use specific nouns? Active verbs?
3) Do a Find for "to be" verbs (was, is, etc.) and "had.".
4) Do a Find for "ly." You may be surprised how many you find.

Next: The Larger Picture of Character, Setting, and Story

NOTE: Information in this article is taken from the classic Techniques of the Selling Writer by Dwight V. Swain.

Back to Articles from Swain

Comments

Popular posts from this blog

Building a blog

This article originally appeared as a series of blog posts in November and December 2008 . Here are all the posts collected together. Building a blog These days, blogging is a great way to express yourself and/or to market a product you might have. Blogging is cheap, easy, and can be a lot of fun. But while anyone can blog, how do you create an effective blog? Here are a few tips, broken down into Blogging Logistics and Blog Content. (Before I begin, I also want to mention that blogging isn’t for everyone. Not everyone likes to blog, and that’s perfectly fine. I think that no one should feel forced to blog—if you don’t like blogging, then don’t blog. But if you do enjoy blogging, this is a series of articles to help you make a better blog.) Blogging Logistics: Blog consistently. Good blogs have bloggers who post consistently and often. Most of these bloggers post five days a week, taking Saturday and Sunday off since blogs usually have lower traffic on weekends. Ideally, a blogger who ...

How to write a kiss

There was a question on the writer’s Discord server that I’m on where someone asked how to write a kiss. They weren’t specifically asking me, but I was able to give a short answer for how I write kisses. I write and read traditional romances, so my kiss scenes tend to be heavily influenced by the genre and by how my editors critiqued my manuscripts. You basically want to focus on the emotion of the kiss and how the kiss makes the point of view character feel, as opposed to going deep into physical detail. Ideally, the description will show that the kiss is something special and not just them macking. For example the kiss made her feel ___. Or the kiss was ___ which made it seem that he felt ___ for her. “The kiss made her feel as if she were incredibly precious to him.” “His lips were gentle and almost tentative, as if he were afraid of frightening her.” “The kiss surprised her and yet felt as familiar as if they’d kissed a thousand times before. The kiss felt like home.” I...

What’s a chapter-by-chapter synopsis?

Some editors or agents ask for a chapter-by-chapter synopsis. Not all of them do, so don’t automatically assume you need one. However, it’s the easiest type of synopsis to write, in my opinion. It’s simply a list of each chapter number, and then a couple sentences describing what happens in the chapter. Any significant spiritual or internal conflicts should be included, as well as major plot points, red herrings, symbolism, etc. The chapter-by-chapter synopsis will take the reader on a shortened version of the same ride you’ll give your novel reader, so include the dead ends and frustrations and obstacles that beset your characters. Each major character should be named, and minor characters can also be named if they have a significant impact on the storyline. However, peripheral characters shouldn’t be named in a chapter-by-chapter synopsis. I usually write a chapter-by-chapter synopsis first, then cut that down to a 1-2 page synopsis which I use for my proposals. Most proposals call f...