Skip to main content

Learning to get into the writing zone

Before, I talked about left and right brain roles for writing. Left brain is more analytical, right brain is more creative. For some people, it's very difficult to switch between the two completely. Usually when I switch from analytical to creative, I'm not 100% into my creative mode--there are vestiges of analytical thinking going on.

That's why for some writers it's difficult to be as creative when you switch between editing and writing, editing and writing. The analytical side--editing--doesn't fully relinquish brain energy to the creative side for writing.

However, switching quickly--and more importantly, more completely--between sides can be trained, to an extent. This is especially important for busy writers who juggle different duties and tasks.

Set an alarm clock (your watch alarm, phone alarm, PDA alarm) at odd hours during the day. When that alarm goes off, drop everything and write for 8 minutes. Grab whatever's handy--pen and paper, computer, word processor. Immerse yourself in some scene in your current WIP.

It will be really hard, at first. If you have to write nonsense or the same words over and over, then just do it. But eventually you'll shift into right-brain creativity. And the more often you do it, the faster you'll be able to automatically switch.

Something to note: Some writers switch very easily between left and right brain modes. These are typically writers who edit as they write, and going completely into right brain mode sometimes will not enable them to write any faster or better than if they edit as they go. As a writer, you need to figure out what method works best for you.

Comments

Popular posts from this blog

Writing Fight Scenes

I love martial arts movies and action flicks. So naturally I'd write action scenes. I discovered that it takes a slightly different writing style. These are some of the things I learned, although this list isn't exhaustive by any means. Action-Reaction A fight scene is always Action-Reaction. He punches, she staggers back. She kicks, he blocks and swings a fist at her. Watch out for putting your reaction before your action: She staggered back when he slammed his fist into her shoulder. The rule of thumb is to have each action-reaction have its own paragraph, although that’s not always possible. Sometimes the sentences are too short for their own paragraphs and can be combined. It’s up to the writer how to format it: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. versus: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. Short sentences = fast reading flow Use short sentences and phrases to make re...

How to write a kiss

There was a question on the writer’s Discord server that I’m on where someone asked how to write a kiss. They weren’t specifically asking me, but I was able to give a short answer for how I write kisses. I write and read traditional romances, so my kiss scenes tend to be heavily influenced by the genre and by how my editors critiqued my manuscripts. You basically want to focus on the emotion of the kiss and how the kiss makes the point of view character feel, as opposed to going deep into physical detail. Ideally, the description will show that the kiss is something special and not just them macking. For example the kiss made her feel ___. Or the kiss was ___ which made it seem that he felt ___ for her. “The kiss made her feel as if she were incredibly precious to him.” “His lips were gentle and almost tentative, as if he were afraid of frightening her.” “The kiss surprised her and yet felt as familiar as if they’d kissed a thousand times before. The kiss felt like home.” I...

The 50-word elevator pitch

The 50-word elevator pitch: Basic story elements and a two-sentence novel summary Writing a 50-word summary is good to help you condense your thoughts and themes for your novel. This summary can be used when you pitch to editors or agents, and it can also be used in a query letter to an editor or agent. Swain gives this excellent method to come up with a 2-sentence (or 50-word) summary of your novel. This can be done before you write it or afterward, whichever works best for your writing style. This is similar to steps 1 and 2 of Randy Ingermanson's Snowflake method : https://www.advancedfictionwriting.com/articles/snowflake-method/ Each novel typically has five basic story elements: Character --Your protagonist or focal character. You can sometimes have two protagonists, but even then, often the story of one character is slightly more dominant than the other. Situation --The troubling situation your character is stuck in that forces him to act. Objective --What y...