Skip to main content

The first page, part 4 - Indicate the genre

This is continuing my series on things to look for in your first page.
Click here for part three.

Indicate the genre

When an editor opens your book, he/she should be able to tell what your genre is right off the bat. Genre does not have to be established in the first line, but it should be fairly obvious by the end of the first page.

You don’t want to open your story with:

The wagon train left a dust cloud that Shep could see from seven miles away.


when your story is a contemporary thriller.

Use key words to indicate to the editor/reader what genre your novel is. Certain words or phrases are indicative of different genres by tapping associations in a reader’s mind.

“Glock” will usually indicate a suspense or thriller or crime drama.

“Wagon train” will usually indicate a Western or a historical prairie romance.

“Desire” in context will typically clue the reader in to the fact that the story is a romance of some sort.

Another benefit of indicating genre in the first page is that it will reassure the editor that you did your homework and researched what the editor acquires before submitting. Nothing says “unprofessional” like a writer submitting a romance novel to an editor who only acquires mysteries.

Click here for part five.

Comments

  1. Hi Camy,
    thanks for another good post. I am mentally checking off where I stand with my WIP against these suggestions.

    By the way, Camy did a great critique for me a couple weeks back. Very quick response, very detailed comments and suggestions and she basically hit all the things that my little voice was hinting at beforehand.

    Camy, thanks for clearly pointing out my story's weaknesses with sound advice. I've charged through, took what I previously felt was good stuff, and hit it with a jackhammer. I can see the improvements though demolition was not enjoyable. The smoke is clearing!

    ReplyDelete
  2. Camy helped me out tremendously with her critic for my WIP and my short story (which was accepted by my publisher after working in her advice)

    The wagon train would probably be pretty wierd in a contemporary thriller! As a fantasy writer I alwasy try to include some magical descriptive words in my first few paragraphs. My favorites are "Kingdom," "shimmer or glimmer or shining", "beacon," and "netherworld."

    ReplyDelete
  3. Thanks, guys! I'm glad my critiques were helpful.
    Camy

    ReplyDelete
  4. Hmmm. I may have a problem here. My cont. romance starts out emotional with some mystery, then next chapter the heroine is running through the woods, trying to escape a bullet. LOL I may have to rethink this.

    ReplyDelete

Post a Comment

Popular posts from this blog

Writing Fight Scenes

I love martial arts movies and action flicks. So naturally I'd write action scenes. I discovered that it takes a slightly different writing style. These are some of the things I learned, although this list isn't exhaustive by any means. Action-Reaction A fight scene is always Action-Reaction. He punches, she staggers back. She kicks, he blocks and swings a fist at her. Watch out for putting your reaction before your action: She staggered back when he slammed his fist into her shoulder. The rule of thumb is to have each action-reaction have its own paragraph, although that’s not always possible. Sometimes the sentences are too short for their own paragraphs and can be combined. It’s up to the writer how to format it: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. versus: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. Short sentences = fast reading flow Use short sentences and phrases to make re...

How to write a kiss

There was a question on the writer’s Discord server that I’m on where someone asked how to write a kiss. They weren’t specifically asking me, but I was able to give a short answer for how I write kisses. I write and read traditional romances, so my kiss scenes tend to be heavily influenced by the genre and by how my editors critiqued my manuscripts. You basically want to focus on the emotion of the kiss and how the kiss makes the point of view character feel, as opposed to going deep into physical detail. Ideally, the description will show that the kiss is something special and not just them macking. For example the kiss made her feel ___. Or the kiss was ___ which made it seem that he felt ___ for her. “The kiss made her feel as if she were incredibly precious to him.” “His lips were gentle and almost tentative, as if he were afraid of frightening her.” “The kiss surprised her and yet felt as familiar as if they’d kissed a thousand times before. The kiss felt like home.” I...

What’s a chapter-by-chapter synopsis?

Some editors or agents ask for a chapter-by-chapter synopsis. Not all of them do, so don’t automatically assume you need one. However, it’s the easiest type of synopsis to write, in my opinion. It’s simply a list of each chapter number, and then a couple sentences describing what happens in the chapter. Any significant spiritual or internal conflicts should be included, as well as major plot points, red herrings, symbolism, etc. The chapter-by-chapter synopsis will take the reader on a shortened version of the same ride you’ll give your novel reader, so include the dead ends and frustrations and obstacles that beset your characters. Each major character should be named, and minor characters can also be named if they have a significant impact on the storyline. However, peripheral characters shouldn’t be named in a chapter-by-chapter synopsis. I usually write a chapter-by-chapter synopsis first, then cut that down to a 1-2 page synopsis which I use for my proposals. Most proposals call f...