Skip to main content

Timed writing sprints #writersblock #writingtips


I’ve been struggling with writer’s block/lack of motivation in my writing for several months now, and I’ve been battling it the way I’ve always battled it before—I sit my butt down in a chair and force myself to write, powering through the blah feeling and writing absolute crap as if I’ve forgotten everything I’ve learned about writing prose.

The problem with this is that if the writer’s block/lack of motivation lasts for a long time, that kind of “powering through it” can get really tiring. So I’ve also been reading writing books to try to glean some new trick or technique to use.

I read 5000 Words Per Hour by Chris Fox and I really liked his concept of timed writing sprints. I found that the time pressure really helped me to turn off the internal editor and just write.

Rather than being stuck on a particular scene or page, I would force myself to just write whatever came to mind even if it was trite and bland, because I can always fix it later. If I really couldn’t think of something, I left a note for myself to add something later.

I really consciously tried to not stop writing—if I misspelled a word, I would insert an asterisk symbol, then type the word again rather than going back to correct it. If I didn’t like how I phrased something, I would insert an asterisk and retype the phrase how I wanted it to sound. If I didn’t know a word, I’d leave a note for myself. Or if I knew I needed to look a word up in a dictionary or thesaurus, I again just left a note for myself and kept going.

I realize that’s not really muting the internal editor, but it’s helped me to resist the urge to go back to correct, and it keeps me moving forward.

The page is incredibly messy, which really bothers me, but this enabled me to progress further on my book than I had before.

I also resisted the urge to edit what I’d written after the writing sprint was over. Chris Fox made a really good point, that you don’t know if what you write will remain in the book. You don’t know if you’ll cut the scene or revise it later because you decide on a major change in the book.

For example, I edited this one fight scene, but then later decided on a different sort of scene to convey the same information, and ended up cutting the original fight scene. Another scene that I had edited got completely revised into a different scene that happened later in the book, so I had to change a lot of what I’d written to conform to this new place in the plot.

All the time I’d spent editing those two scenes was completely wasted. I could have used those hours to instead write a (crappy) rough draft of a different scene.

So now I have to grit my teeth and ignore the incredibly messy rough draft I’m writing, and just keep plowing forward onto new scenes. My rough drafts were never this full of errors before, so it’s killing me to not go back and fix typos and stuff.

But I’m progressing on my rough draft much faster than I was in the past few months, and I consider that a huge plus.

On the r/writing subreddit, some people were making the point that every writer is different, and they have to edit as they’re writing. I completely understand that, because that’s my normal system. That’s how I wrote most of the books that I published before this.

But now that I’m in the middle of the worst writer’s block/lack of motivation that I’ve felt before, I’m willing to try different things to just finish the book. Since I’m a full-time writer, I don’t have the luxury of taking lots of time to finish a novel. I want to finish this one in the next month or two. So if my normal (and preferred) method of editing as I write is now not working for me, I am willing to do a messy rough draft in order to finish it in a shorter period of time.

Of course, that also means learning this new style of writing and not correcting myself. It’s been really hard, but I don’t regret it—if I can completely turn off my internal editor, I know I can write a lot faster and finish more books per year.

Comments

  1. I'm experiencing the same thing, Camy. It's been miserable. I might have to check out this book. Thanks for the recommendation!

    ReplyDelete
    Replies
    1. Hi Jill! I'm glad I'm not alone. It's been a really rough several months for me.

      Delete
    2. For me too, Camy. I'm not sure why I've been unable to get back on track, but we can do it!

      Delete

Post a Comment

Popular posts from this blog

Writing Fight Scenes

I love martial arts movies and action flicks. So naturally I'd write action scenes. I discovered that it takes a slightly different writing style. These are some of the things I learned, although this list isn't exhaustive by any means. Action-Reaction A fight scene is always Action-Reaction. He punches, she staggers back. She kicks, he blocks and swings a fist at her. Watch out for putting your reaction before your action: She staggered back when he slammed his fist into her shoulder. The rule of thumb is to have each action-reaction have its own paragraph, although that’s not always possible. Sometimes the sentences are too short for their own paragraphs and can be combined. It’s up to the writer how to format it: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. versus: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. Short sentences = fast reading flow Use short sentences and phrases to make re...

How to write a kiss

There was a question on the writer’s Discord server that I’m on where someone asked how to write a kiss. They weren’t specifically asking me, but I was able to give a short answer for how I write kisses. I write and read traditional romances, so my kiss scenes tend to be heavily influenced by the genre and by how my editors critiqued my manuscripts. You basically want to focus on the emotion of the kiss and how the kiss makes the point of view character feel, as opposed to going deep into physical detail. Ideally, the description will show that the kiss is something special and not just them macking. For example the kiss made her feel ___. Or the kiss was ___ which made it seem that he felt ___ for her. “The kiss made her feel as if she were incredibly precious to him.” “His lips were gentle and almost tentative, as if he were afraid of frightening her.” “The kiss surprised her and yet felt as familiar as if they’d kissed a thousand times before. The kiss felt like home.” I...

The 50-word elevator pitch

The 50-word elevator pitch: Basic story elements and a two-sentence novel summary Writing a 50-word summary is good to help you condense your thoughts and themes for your novel. This summary can be used when you pitch to editors or agents, and it can also be used in a query letter to an editor or agent. Swain gives this excellent method to come up with a 2-sentence (or 50-word) summary of your novel. This can be done before you write it or afterward, whichever works best for your writing style. This is similar to steps 1 and 2 of Randy Ingermanson's Snowflake method : https://www.advancedfictionwriting.com/articles/snowflake-method/ Each novel typically has five basic story elements: Character --Your protagonist or focal character. You can sometimes have two protagonists, but even then, often the story of one character is slightly more dominant than the other. Situation --The troubling situation your character is stuck in that forces him to act. Objective --What y...