Story Sensei

I've been dictating my fiction manuscript for a few days now, and I'm a bit disappointed. It takes me longer to think in long phrases or complete sentences, and so my word count per hour rate has been less than when I type. I suppose I simply need to get more used to dictating fiction, and then hopefully my word count per hour rate will increase. I do admit I like the fact that it's reducing the strain on my hand when I type or use the mouse. It's been very easy to navigate within the document when I use Dragon on my computer, and I've been able to make most corrections by using verbal commands within the program. I was having issues with my wrist several years ago because of using the mouse, despite trying lots of different types of mice (mouses?), rollerballs, and track pads. With Dragon, even though there is more editing that needs to be done because of errors with the transcription, the editing is almost entirely mouse-free. I have found that I need to put t

Now that I'm over my bout of writer's block, I suppose I'm feeling a little panicked about getting as much done as I can before the next bout of writer's block hits. I know that's very irrational, because sometimes writer's block hits because of some problem with the writing that I have to address, so writing more now might only hasten the arrival of my next bout of writer's block. Even when I was working in biology research, I was always interested in optimizing processes. I've carried that over to my writing, and tried to optimize my writing process over the years. So I did some Internet searches on writing faster, and I found the books 2k to 10k , and 5,000 Words Per Hour . Both books had very good tips and advice. In the 2K to 10K book, I liked the advice about jotting notes in detail about the scene you're about to write. I had never done this consistently, but when I did, I noticed that writing the scene went much more smoothly. I also li

It’s been a few years since I last had a book out, and while some of that is because I changed my mind about how I wanted the next book to go, for some of that time I had a few bad bouts of writer’s block. I know there are people who say writer’s block doesn’t exist, and/or it’s just your subconscious trying to tell you something about your story or about your own emotional state. I’m not here to debate that. All I know is that I couldn’t write, for whatever reasons, when I hadn’t had bad writer’s block during my time writing for Love Inspired, Guideposts, and Zondervan. I know that sometimes when I had writer’s block, it was due to stress. There were family issues that came up and I could clearly tell that I was worried and that made it difficult for me to focus emotionally on writing. I personally need a calm heart and clear mind to create fiction, and it’s very hard for me to write when I’m emotionally upset. Some writers rage-write or cry-write to great emotional impact, but I’

kapitan_kraken posted this quote on the writing subreddit: "Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will clo

I’ve been struggling with writer’s block/lack of motivation in my writing for several months now, and I’ve been battling it the way I’ve always battled it before—I sit my butt down in a chair and force myself to write, powering through the blah feeling and writing absolute crap as if I’ve forgotten everything I’ve learned about writing prose. The problem with this is that if the writer’s block/lack of motivation lasts for a long time, that kind of “powering through it” can get really tiring. So I’ve also been reading writing books to try to glean some new trick or technique to use. I read 5000 Words Per Hour by Chris Fox and I really liked his concept of timed writing sprints. I found that the time pressure really helped me to turn off the internal editor and just write. Rather than being stuck on a particular scene or page, I would force myself to just write whatever came to mind even if it was trite and bland, because I can always fix it later. If I really couldn’t think of s

I just discovered a great resource for inspiration, reminders, and tips for writing. I’ve been in a bit of a plotting rut and so I do what I usually do, which is watch TV shows and movies. This time, I watched the audio commentary for one of my favorite movies, Captain America: Civil War . I didn’t realize that I’d get so many great ideas for plotting, characterization, dialogue beats, theme, mood, and setting by listening to the directors and the screenwriters comment as they viewed the movie. It not only gave me a springboard for my own plot and character ideas, but it reminded me of techniques I’d forgotten about, which helped me in my story structure and character development. It’s a shame that I’m only realizing this now, because it’s a resource I’ve always had, in the movies I’ve bought on iTunes, but never utilized. I’ll definitely be using this more in future. I hope this tip helps you guys, too—pick your favorite movie and listen to the audio commentary. You never know w

Jim asked another question: The guidelines for eliminating fluff or fillers were very helpful. I learned a lot from them. (I know, I shouldn’t have used “a lot”. Having said that, do these same rules or guidelines apply to dialogue as they do with narrative? It appears that we can use unfinished or incomplete sentences, poor grammar, pauses, etc. in dialogue. Do we have the same exemption when it comes to fluff or filler words within dialogue? As asked above, even if we are not bound by the same rules within dialogue, would it be better to still remove as many fluff words such as that, very, really, just, get, got, etc. as possible? Camy here: In dialogue, it’s fine to have incomplete sentences, poor grammar, etc. But also be aware that dialogue in fiction isn’t really true dialogue—it’s kind of like the difference between a real mixed martial arts fight and a scripted fight on TV. The moves are all the same but on TV, the scripted fight is made to look prettier and flow better

A writer asked me this question: I recently started writing a novel based off a couple friends and I wondering what would happen if we got thrust into a messy world of insane, chaotic, and anything considered un- or supernatural events.  I have already done a bit of tweaking to one character to make her a bit more agressive and aloof, but two other main character (out of four) are rather shy.  In real life, they don't talk much, and while they have come out of their shells quite a bit in the years I have known them, I doubt they'd ever be the type of people to rush head first into a life-or-death fight that could change the fate of the world you see in just about evrry novel on the shelves.  My question is, is it a bad idea to have them in the story?  I think with the dynamic our little group has it would be very interesting as characters, but I don't want them to be critiscized as boring or unoriginal. My feeling is that all characters, whether main or secondary, should

(This post originally appeared on Suite101, but it's no longer there so I'll post it here. :) Make the Character Proactive Rather Than Reactive Eliminate episodic scenes by giving the character an External Goal, Obstacles against that goal, and Forward Movement in the story. A story is more than just good writing. A story plot must have forward motion and a sense of movement that pulls the reader along. Sometimes writers will get feedback that their story “lacks purpose” or is “episodic.” What exactly does that mean? Episodic Writing is Reactive Writing in Vignettes. A character needs more than just to fall into an alternate world and face Scary Monsters. He needs to have a purpose and doggedly pursue that purpose. If he simply goes from one Bad Thing to another, the story lacks direction. When a character simply reacts to the Bad Things that happen to him, he is being reactive rather than proactive, and that can be boring to a reader. It’s also boring to read a

It seems like this happens for every single book I write. I’m in the first quarter of the book, struggling to get the words down. It feels like slogging through New England clam chowder. Then I suddenly remember, it doesn’t have to be perfect. Just write crap. Edit later. Somehow I always forget this. It has happened at some point in every single manuscript I’ve completed. I have to remind myself to just get the words down, no matter how awful they are. The first couple thousand words really ARE crap, but then after that, my right brain creative side takes over and suddenly I’m writing words that are actually rather good. Or at least, words I wouldn’t shudder to read aloud to my mother, the English teacher. :) So if you’re in the first quarter or third of your book--or no matter where you are in it--just remind yourself to get the words down, no matter how execrable they are. Just power through it, don’t cringe at the triteness of your phrases and the cliches popping up like we

I recently had a question on Facebook about passive voice, and Heather let me answer the question on my blog. Thanks Heather! Mrs. Tang, can you recommend resources for overcoming passive voice. PV keeps sneaking it's way into my story! I didn't see a entry about PV on your Story Sensei blog. Any advice? Camy: When a writer mentions “passive voice,” there are actually two different things they could mean. (Or sometimes, they mean both!) 1) passive sentences, meaning sentences with passive verbs instead of active verbs Or 2) a passive writer’s voice, meaning the writing itself is rather stale rather than active and vibrant PASSIVE SENTENCES: Passive verbs like “was” and “were” are small and almost unnoticeable, but they tend to distance the reader from the story. By replacing passive verbs with strong action verbs, you can improve the prose dramatically. For passive sentences, I have a quick and dirty solution that I use all the time. First, I write the manusc

I got the below message from Savannah, who graciously agreed to let me answer her questions on the blog in case some of her questions are those some of you are curious about, too Hey Camy! I just started reading your story sensei blog, which is great! I have a few questions about your last post! Shoot! I am starting my first novel! I want to write & even though the chances for success are small you gotta chase your dreams right?! Yes! I took a short writing course & only have basic knowledge & decided go jump in. After about 4, 0000 words I'm stumped. Like your last reader am wondering if the story is to big for me or idea is no goos BUT you say you need no special powers! When you talk about fleshing it out does that mean I may need to study the craft more before I attempt a book? You don't need any special powers. Yes, you might need to study the craft a bit more in order to feel confident enough to continue. Or you might need to just set aside your i

I got the below message from Tonya, who graciously agreed to let me answer her questions on the blog in case some of her questions are those some of you are curious about, too. Hey Camy! I just found your story sensei blog & think it's fabulous :) I have a few writing questions for you though I obviously want to be a novelist. I took the CHristian Writers Guild Apprenticeship & decided to start working on my first novel. I've gotten to a point where I'm simply stuck. I feel like I have an idea of what the book is in my mind but what I'm writing isn't conveying it. It makes me wonder if my idea is above my skills levels when it comes to conflict & dialogue etc. Camy: No. A writer doesn't need some sort of advanced skill or superpower to write out the idea in her head. It could be just that you need to think it through more, mull it over, or learn some plot skills in order to fully flesh it out. So I'm seriously considering setting i

Sorry I've been AWOL, but I've been on deadline for several books, which takes up my blogging time! In honor of NaNoWriMo , I thought I'd post a few quick tips for writing while on NaNoWriMo that can help you achieve your goal of 50,000 words written on your novel this month. This is one of the best weapons in my arsenal: Tactile Stimulation This might not work for everyone, but of all the people who have tried it so far, it has worked for them all, so chances are, it'll work for you, too. Basically, when you stimulate your hands (or your body, really) with tactile, kinesthetic stimulation, it enables you to think creatively and focus on thinking creatively. When you're trying to write a novel in a month, you don't have time to sit and stare at the blinking cursor. Trust me, I've done that for HOURS. Hours of wasted time. I discovered that if I have something in my hands that doesn't require too much brain-power, I can suddenly focus on my