Story Sensei

This didn’t occur to me until just now, but back in July I gave a workshop on Harlequin.com’s forum boards on Self-Editing, and I featured 5 of the points on my Self-Editing worksheet for free. (I also gave feedback on homework on the forums, but the forum is now locked.) So if you were wondering if you wanted to buy my Self-Editing worksheet, head over to Harlequin.com to check out the forum. Here’s the link to the Self-Editing workshop forum. You’ll need to register (it’s free) for the Harlequin forum boards in order to read it (I think) so you can register/create a Community membership here . If you like the 5 free tips, you can buy my Self-Editing worksheet for $20 for all 11 tips. Note : If you've bought my Deep Point of View worksheet , there are some of those Deep POV tips here in this worksheet. However, the Deep POV worksheet goes into more detail and depth whereas the Deep POV tips in this worksheet are not as extensive. If you're on the fence about if you...

A writer asked me this question: I recently started writing a novel based off a couple friends and I wondering what would happen if we got thrust into a messy world of insane, chaotic, and anything considered un- or supernatural events.  I have already done a bit of tweaking to one character to make her a bit more agressive and aloof, but two other main character (out of four) are rather shy.  In real life, they don't talk much, and while they have come out of their shells quite a bit in the years I have known them, I doubt they'd ever be the type of people to rush head first into a life-or-death fight that could change the fate of the world you see in just about evrry novel on the shelves.  My question is, is it a bad idea to have them in the story?  I think with the dynamic our little group has it would be very interesting as characters, but I don't want them to be critiscized as boring or unoriginal. My feeling is that all characters, whether main or secondary, should...

Heroine's Journey worksheet $5 I was asked to describe my Heroine’s Journey many times and I even taught several workshops on it at writer’s conferences, and so I decided to write a more detailed worksheet on the subject. I read about the Heroine’s Journey from several books and compiled what I learned here in one place. This is the same worksheet I myself use for my own novels. Why the Heroine’s Journey? Because sometimes the story arc of a female character will differ from the traditional Hero’s Journey because of the affects of culture and time period upon the character because of her gender. This will create specific psychological differences in how a male and female character will respond to conflict in a story. Joseph Campbell’s original book is based on the writings of psychoanalysts and the world myths. The Hero With a Thousand Faces is a psychological analysis of the classical myth formula that breaks down the myths into a basic structure, showing the psychological...

Self-Editing tips at eHarlequin I forgot to post this earlier, but I'm posting Deep Editing tips over at the eHarlequin forum boards. I'm going over 5 of the points that are in my Self-Editing worksheet and giving some feedback. I'm only online there until the end of Saturday (sorry for the late notice) if you'd like feedback. Since I'm doing 5 of the points in my worksheet, this will give you a chance to see a sample of my worksheet in case you're still on the fence about buying it. Here's the direct link to the forum: http://community.harlequin.com/showthread.php/1441-Camp-Gonnabe-Self-Editing-with-Camy-Tang Register for my next Synopsis writing class in August I'm not doing as many online classes these days, but for those of you interested, now's the time to register for a Synopsis writing class I'm giving through the Oklahoma Christian Fiction Writers group: Synopsis writing online class ($20 (OKC member) or $25 (non OKC member)) A...

(This post originally appeared on Suite101, but it's no longer there so I'll post it here. :) Make the Character Proactive Rather Than Reactive Eliminate episodic scenes by giving the character an External Goal, Obstacles against that goal, and Forward Movement in the story. A story is more than just good writing. A story plot must have forward motion and a sense of movement that pulls the reader along. Sometimes writers will get feedback that their story “lacks purpose” or is “episodic.” What exactly does that mean? Episodic Writing is Reactive Writing in Vignettes. A character needs more than just to fall into an alternate world and face Scary Monsters. He needs to have a purpose and doggedly pursue that purpose. If he simply goes from one Bad Thing to another, the story lacks direction. When a character simply reacts to the Bad Things that happen to him, he is being reactive rather than proactive, and that can be boring to a reader. It’s also boring to read a...

Because of several writing contracts, I've decided to step back from doing critiques and coaching for most of 2013 in order to save my injured wrists and my health for my books. If you'd like recommendations of other freelance editors who can critique your work sooner, I can suggest: Fiction Fix-It Shop ( http://www.fictionfixitshop.com/ ) Moonshell Books and Editorial, Shelley Bates ( http://www.shelleybates.com/ ) Cheryl Wyatt ( http://www.cherylwyatt.com/ ) Sharon Hinck ( http://www.sharonhinck.com/ ) Just email them through their websites and let them know that Camy suggested you contact them about critiquing. Update: I’ll be teaching an online synopsis class in early August this year, so stay tuned to my blog for when registration opens. I also still have my worksheets available for download: Self-Editing worksheet - $20 New! Deep Point of View worksheet - $10 Price drop! Characterization worksheet - $10 Price drop! Structure/Synopsis worksheet - $5

My wrists are feeling pretty good, so I'm going to be open to scheduling some one-on-one email coaching services. However, because of book deadlines, I won't be able to start any coaching until October. If you know you want to take some coaching from me and you're okay starting later this year, let me know so I can schedule you. In addition to Synopsis one-on-one coaching ($35) and Characterization one-on-one coaching ($35), I am also adding Deep Point of View one-on-one email coaching for $45 and Self-Editing one-on-one email coaching for $45. All my one-on-one coaching lasts four weeks, which gives you a bit more time to get in your homework for the lessons and revise them and resubmit them for additional feedback if you desire. The structure of my one-on-one coaching is the same as my worksheets, but with the addition of my personalized feedback on your specific manuscript. Only one manuscript/character per coaching session, please. Again, I will not be schedul...

NEW SELF-EDITING WORKSHEET! After Katie commented on my author blog about my Self-Editing class, I realized that I could just offer a self-editing worksheet for those of you who wanted to take my online class but couldn't because of timing or cost. So here it is! Self-Editing Worksheet $20 You've finished your novel! How do you make sure you have a good character arc, strong story structure, good pacing? How can you smooth over rough writing patches, eliminate episodic writing, or increase emotional intensity? My Self-Editing worksheet combines a variety of techniques that I have taught in online workshops into one place, with tips to help you refine and polish your manuscript. By the end of the worksheet you'll have: 1) A good large-scale view of your story structure and character arc, and knowledge about how to fix any problems in that area 2) Tips for how to revise more emotion into your writing 3) Tools for solving pacing issues 4) A deeper look at tech...

Online classes in August My wrists are starting to feel better, so I’ve decided to hold four online classes in August for anyone who’s interested: Synopsis writing online class ($30) August 1 - 15 Characterization online class ($30) August 1 - 15 Self-Editing online class ($40) August 15 - 30 Deep Point of View online class ($40) August 15 - 30 Each class (except for Self-Editing) is essentially the same as my worksheets, but in the class, I’ll be giving individual feedback on your homework. Many people have taken my classes multiple times, each time using a different manuscript, because they found the personalized feedback more helpful than just using my worksheets. At the bottom of the post is more information on each of the classes. Pitch Coaching For those of you going to RWA conference at the end of this month or perhaps ACFW conference in September, I am now offering pitch coaching to help you write your pitch and even practice it if you’d like. You will email...

It seems like this happens for every single book I write. I’m in the first quarter of the book, struggling to get the words down. It feels like slogging through New England clam chowder. Then I suddenly remember, it doesn’t have to be perfect. Just write crap. Edit later. Somehow I always forget this. It has happened at some point in every single manuscript I’ve completed. I have to remind myself to just get the words down, no matter how awful they are. The first couple thousand words really ARE crap, but then after that, my right brain creative side takes over and suddenly I’m writing words that are actually rather good. Or at least, words I wouldn’t shudder to read aloud to my mother, the English teacher. :) So if you’re in the first quarter or third of your book--or no matter where you are in it--just remind yourself to get the words down, no matter how execrable they are. Just power through it, don’t cringe at the triteness of your phrases and the cliches popping up like we...

Hey guys, If you've bought and used my worksheets and want to write an endorsement for me, please email me at storysensei {at] gmail [dot} com. I'll post your endorsement on my Endorsements page and also include your name and website if you want, just let me know. Thanks! Camy

I recently had a question on Facebook about passive voice, and Heather let me answer the question on my blog. Thanks Heather! Mrs. Tang, can you recommend resources for overcoming passive voice. PV keeps sneaking it's way into my story! I didn't see a entry about PV on your Story Sensei blog. Any advice? Camy: When a writer mentions “passive voice,” there are actually two different things they could mean. (Or sometimes, they mean both!) 1) passive sentences, meaning sentences with passive verbs instead of active verbs Or 2) a passive writer’s voice, meaning the writing itself is rather stale rather than active and vibrant PASSIVE SENTENCES: Passive verbs like “was” and “were” are small and almost unnoticeable, but they tend to distance the reader from the story. By replacing passive verbs with strong action verbs, you can improve the prose dramatically. For passive sentences, I have a quick and dirty solution that I use all the time. First, I write the manusc...

I got the below message from Michael, who graciously agreed to let me answer his questions on the blog in case some of his questions are those some of you are curious about, too. Hi Camy, Do you have any tutorials, suggestions, tips on how to ‘hear’ a character’s voice? It is a problem that continually vexes me. I have some evil dudes and their voice, the sound of their voice, is not something I’ve been able to hear in my head. I’ve searched on you tube for evil voices, experimented with voice altering software and tried to imagine it. And sometimes, when I imagine the voice, I can hear how I want it to sound, but I can’t retain the memory of so lose it for the future. To hear the character’s voice, or at least a close approximation, would do so much for writing their dialog. What do you do? Do you have that problem? Any solutions out there for aspiring writers? Camy: That's a good question! I often have to resort to different measures to be able to write different ch...

Hey guys! I have a new worksheet available for download! I have had a lot of requests for my Deep Point of View online workshop, but I haven't been able to hold it because of time and because I've been trying to cut back on my Story Sensei stuff due to my sore wrists. So instead of holding my Deep Point of View workshop, I've made my notes and workshop into a .pdf worksheet that you can download for less than the cost of the online workshop. Those of you who have been hoping to take my Deep POV class can now download the worksheet and get all my tips and tricks. Deep Point of View Worksheet $15 Want to rivet your reader to the page? Want to make your writing richer emotionally? Want your characters to be more vivid? Learn ways to draw the reader into the mind, body, and soul of your characters through deep point of view techniques. By the end of the worksheet you’ll have: 1) Ways to strengthen the emotional writing and draw the reader deeper into the character’s ...

Thanks to suggestions from Meredith Efken and Randy Ingermanson , I now have a new blog design for the Story Sensei blog! How do you like?

I feel extremely proud of myself because I figured out how to insert a PayPal button for anyone wanting to purchase my Synopsis worksheet or Characterization worksheet ! The process to buy one of my worksheets should be extremely streamlined now. You can pay via PayPal and immediately be taken to a page where you can download the worksheet. If anyone buys my worksheet and it doesn't work, please email me immediately at storysensei {at} gmail {dot} com.

Seekerville: My Self-Publishing Experience : "Camy here! I just recently self-published the fourth novel in my Sushi Series, Weddings and Wasabi , and it came out a few weeks ago in bot..."

Hi guys, My telephone mentoring schedule is free right now, but because of a limit on the time I can spend typing at the computer, I'm afraid I have cancelled all my critiques and one-on-one synopsis or characterization coaching for the rest of the year to try to help my wrists heal. If you'd like recommendations of other freelance editors who can critique your work, I can suggest: Mary DeMuth ( http://www.thewritingspa.com/ ) Cheryl Wyatt ( http://www.cherylwyatt.com/ ) Fiction Fix-It Shop ( http://www.fictionfixitshop.com/ ) Sharon Hinck ( http://www.sharonhinck.com/ ) Just email them through their websites and let them know that Camy suggested you contact them about critiquing.

Hi guys, As I mentioned last year in November, I'm raising my prices this month. You can check them out here . Also, my telephone mentoring schedule is free right now, but because of a limit on the time I can spend typing at the computer, I'm afraid my critiquing schedule and one-on-one synopsis or characterization coaching schedules are booked until July 2011. If you'd like me to put you on my schedule then, please email me. If you'd like recommendations of other freelance editors who can critique your work sooner than I can, click the link above for suggestions.

I got the below message from Savannah, who graciously agreed to let me answer her questions on the blog in case some of her questions are those some of you are curious about, too Hey Camy! I just started reading your story sensei blog, which is great! I have a few questions about your last post! Shoot! I am starting my first novel! I want to write & even though the chances for success are small you gotta chase your dreams right?! Yes! I took a short writing course & only have basic knowledge & decided go jump in. After about 4, 0000 words I'm stumped. Like your last reader am wondering if the story is to big for me or idea is no goos BUT you say you need no special powers! When you talk about fleshing it out does that mean I may need to study the craft more before I attempt a book? You don't need any special powers. Yes, you might need to study the craft a bit more in order to feel confident enough to continue. Or you might need to just set aside your i...