Skip to main content

Why do I need to trim a synopsis?

I probably should have run this post when I started my short series on cutting a synopsis. (Click on "Synopsis" on the sidebar to see all my synopsis posts.)

While I haven’t talked to every editor and agent on the planet, the majority of the ones I’ve spoken to prefer a 2-3 page synopsis.

However, every editor is different. One editor will want a one-page synopsis, another will want an extensive chapter-by-chapter synopsis.

In my experience, it’s usually better to opt for the shorter synopsis when submitting a proposal. If they want a longer one, they usually specifically mention that they do.

Another reason to have a short synopsis handy: Writing contests often have you submit a short, 1-2 page synopsis with your entry.

Here’s a little tip: when querying a novel, it doesn’t hurt to slip a one-page synopsis in with your one-page query letter. And it doesn’t cost any more in postage.

Also, when submitting a partial manuscript or a proposal (only at the editor’s request, of course), most standard proposals consist of a 2-3 page synopsis, not a chapter-by-chapter.

Sometimes you can include both a 2-page synopsis and a chapter-by-chapter synopsis in with the proposal, to give the editor his/her pick of whichever length they prefer. However, I put the chapter-by-chapter synopsis at the very end of the proposal, so that the editor/agent can choose not to read it if they don’t care to.

Comments

Popular posts from this blog

Writing Fight Scenes

I love martial arts movies and action flicks. So naturally I'd write action scenes. I discovered that it takes a slightly different writing style. These are some of the things I learned, although this list isn't exhaustive by any means. Action-Reaction A fight scene is always Action-Reaction. He punches, she staggers back. She kicks, he blocks and swings a fist at her. Watch out for putting your reaction before your action: She staggered back when he slammed his fist into her shoulder. The rule of thumb is to have each action-reaction have its own paragraph, although that’s not always possible. Sometimes the sentences are too short for their own paragraphs and can be combined. It’s up to the writer how to format it: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. versus: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. Short sentences = fast reading flow Use short sentences and phrases to make re...

How to write a kiss

There was a question on the writer’s Discord server that I’m on where someone asked how to write a kiss. They weren’t specifically asking me, but I was able to give a short answer for how I write kisses. I write and read traditional romances, so my kiss scenes tend to be heavily influenced by the genre and by how my editors critiqued my manuscripts. You basically want to focus on the emotion of the kiss and how the kiss makes the point of view character feel, as opposed to going deep into physical detail. Ideally, the description will show that the kiss is something special and not just them macking. For example the kiss made her feel ___. Or the kiss was ___ which made it seem that he felt ___ for her. “The kiss made her feel as if she were incredibly precious to him.” “His lips were gentle and almost tentative, as if he were afraid of frightening her.” “The kiss surprised her and yet felt as familiar as if they’d kissed a thousand times before. The kiss felt like home.” I...

The 50-word elevator pitch

The 50-word elevator pitch: Basic story elements and a two-sentence novel summary Writing a 50-word summary is good to help you condense your thoughts and themes for your novel. This summary can be used when you pitch to editors or agents, and it can also be used in a query letter to an editor or agent. Swain gives this excellent method to come up with a 2-sentence (or 50-word) summary of your novel. This can be done before you write it or afterward, whichever works best for your writing style. This is similar to steps 1 and 2 of Randy Ingermanson's Snowflake method : https://www.advancedfictionwriting.com/articles/snowflake-method/ Each novel typically has five basic story elements: Character --Your protagonist or focal character. You can sometimes have two protagonists, but even then, often the story of one character is slightly more dominant than the other. Situation --The troubling situation your character is stuck in that forces him to act. Objective --What y...