Skip to main content

Hooking your reader to your character

When I start a novel, I give the author about three chapters for me to like the main character. I’m actually pretty generous—in a bookstore, your average book buyer reads the first page, maybe the second. Usually not more than that.

Depending on how fast they read, the first page or two takes approximately twenty seconds.

That’s it. You need to hook your reader into the story and give them a character they can like within those first few pages.

In Writing for Emotional Impact, Karl Iglesias lists these three “categories of appeal”:

* We care about victims—characters we feel sorry for

* We care about characters with humanistic values

* We like character with desirable qualities


Victims—You don’t have to just think stalker victim here. Don’t we love the underdog? The downtrodden? The kid who gets beat up in the schoolyard? The man without enough money to pay for coffee? The woman beat up by her husband? The teenager who can’t read?

Humanistic values—Show your character doing something nice or being heroic. Helping someone else, being kind to children or animals, rescuing someone.

Desirable qualities—These are personal traits (versus humanistic values) that don’t necessarily influence another person in the opening scene, but which are qualities most people admire and respect. The character is someone the reader would like to be—powerful, glamorous, courageous, passionate, clever, skillful, athletic, persistent, rebellious.

Your first pages are your most vital. Make sure you start with a character who will hook your reader.

Comments

  1. Hmmm. I like these ideas, but what about the anti-hero? The guy who is a jerk in the beginning, but who learns and changes by the end.

    Is it simply a matter of showing his best side in the first twenty seconds?

    ReplyDelete
  2. Hi Mark,
    Actually, for fiction, you need to show the character doing at least one thing sympathetic so that the reader likes him, even if he's mostly a jerk at the beginning. There has to be something the reader can like about him or it's hard for the reader to keep reading. Just one thing is all you need. The book I mention above has a great section on small things your hero can do to be sympathetic in the very beginning.
    Camy

    ReplyDelete

Post a Comment

Popular posts from this blog

Building a blog

This article originally appeared as a series of blog posts in November and December 2008 . Here are all the posts collected together. Building a blog These days, blogging is a great way to express yourself and/or to market a product you might have. Blogging is cheap, easy, and can be a lot of fun. But while anyone can blog, how do you create an effective blog? Here are a few tips, broken down into Blogging Logistics and Blog Content. (Before I begin, I also want to mention that blogging isn’t for everyone. Not everyone likes to blog, and that’s perfectly fine. I think that no one should feel forced to blog—if you don’t like blogging, then don’t blog. But if you do enjoy blogging, this is a series of articles to help you make a better blog.) Blogging Logistics: Blog consistently. Good blogs have bloggers who post consistently and often. Most of these bloggers post five days a week, taking Saturday and Sunday off since blogs usually have lower traffic on weekends. Ideally, a blogger who ...

How to write a kiss

There was a question on the writer’s Discord server that I’m on where someone asked how to write a kiss. They weren’t specifically asking me, but I was able to give a short answer for how I write kisses. I write and read traditional romances, so my kiss scenes tend to be heavily influenced by the genre and by how my editors critiqued my manuscripts. You basically want to focus on the emotion of the kiss and how the kiss makes the point of view character feel, as opposed to going deep into physical detail. Ideally, the description will show that the kiss is something special and not just them macking. For example the kiss made her feel ___. Or the kiss was ___ which made it seem that he felt ___ for her. “The kiss made her feel as if she were incredibly precious to him.” “His lips were gentle and almost tentative, as if he were afraid of frightening her.” “The kiss surprised her and yet felt as familiar as if they’d kissed a thousand times before. The kiss felt like home.” I...

Writing Fight Scenes

I love martial arts movies and action flicks. So naturally I'd write action scenes. I discovered that it takes a slightly different writing style. These are some of the things I learned, although this list isn't exhaustive by any means. Action-Reaction A fight scene is always Action-Reaction. He punches, she staggers back. She kicks, he blocks and swings a fist at her. Watch out for putting your reaction before your action: She staggered back when he slammed his fist into her shoulder. The rule of thumb is to have each action-reaction have its own paragraph, although that’s not always possible. Sometimes the sentences are too short for their own paragraphs and can be combined. It’s up to the writer how to format it: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. versus: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. Short sentences = fast reading flow Use short sentences and phrases to make re...