Skip to main content

Show versus Tell, example fourteen

From contest entries and critiques that I’ve done, I’ve noticed that often people don’t quite understand what exactly is “showing” and what exactly is “telling.” So, I’m doing this series to give numerous examples so that you can see for yourself the various kinds of “telling” that can occur in your own manuscript, and suggestions for fixing it.

This example is from my own proposal. It’s an Inspirational romantic suspense.

(From Jorge's point of view)

Jorge explained, “My brother still visits some of his old friends to try to get them to come to church with him.”

“Oh.” Her eyes skittered away as she renewed her vigor in sweeping.

She had never been comfortable talking about her faith. They’d rarely talked about God when they were dating, but she had said she was a strong Christian.


The last paragraph is all telling. There’s a more dynamic and interesting way to show this information, plus you can use this as a way to deepen the point of view.

I decided to anchor the information in Jorge’s current thoughts and wonderings, which are all in real time. It turns the paragraph into a combination of backstory information about her faith and Jorge’s current thoughts in the scene.

Jorge explained, “My brother still visits some of his old friends to try to get them to come to church with him.”

“Oh.” Her eyes skittered away as she renewed her vigor in sweeping.

Strange, she seemed even more uncomfortable talking about her faith than a month ago. They’d rarely talked about God, but she’d never actually avoided the subject like this before. She had said she was a strong Christian—was her faith wavering in the face of all the recent problems?


The boldface phrases are all current, Jorge’s thoughts in real time. It shows the backstory information mixed with the immediate thoughts so that it: (a) is in deep point of view and (b) shows forward movement in the story (c) without pausing to “tell” the reader about the heroine’s faith struggles.

Comments

  1. Hi Camy,
    I see the strength in the change. I'm learning from your blog. Thank you!
    ~ Wendy

    ReplyDelete
  2. Great example! I'm reading Sushi for One right now. I'm about halfway and boy are you the Queen at deep POV. Well done!

    ReplyDelete
  3. So helpful. I've been reading your writing articles and learning a lot. Thanks for all the valuable information.

    ReplyDelete
  4. Thanks for posting about this topic. It's easy to lose sight of showing and easily fall into telling!

    ReplyDelete
  5. Thanks so much, guys! I'm so glad this example was helpful!
    Camy

    ReplyDelete
  6. very good nugget, Cami! thanks. now, off to fix mine! ; )

    ReplyDelete

Post a Comment

Popular posts from this blog

Writing Fight Scenes

I love martial arts movies and action flicks. So naturally I'd write action scenes. I discovered that it takes a slightly different writing style. These are some of the things I learned, although this list isn't exhaustive by any means. Action-Reaction A fight scene is always Action-Reaction. He punches, she staggers back. She kicks, he blocks and swings a fist at her. Watch out for putting your reaction before your action: She staggered back when he slammed his fist into her shoulder. The rule of thumb is to have each action-reaction have its own paragraph, although that’s not always possible. Sometimes the sentences are too short for their own paragraphs and can be combined. It’s up to the writer how to format it: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. versus: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. Short sentences = fast reading flow Use short sentences and phrases to make re...

The 50-word elevator pitch

The 50-word elevator pitch: Basic story elements and a two-sentence novel summary Writing a 50-word summary is good to help you condense your thoughts and themes for your novel. This summary can be used when you pitch to editors or agents, and it can also be used in a query letter to an editor or agent. Swain gives this excellent method to come up with a 2-sentence (or 50-word) summary of your novel. This can be done before you write it or afterward, whichever works best for your writing style. This is similar to steps 1 and 2 of Randy Ingermanson's Snowflake method : https://www.advancedfictionwriting.com/articles/snowflake-method/ Each novel typically has five basic story elements: Character --Your protagonist or focal character. You can sometimes have two protagonists, but even then, often the story of one character is slightly more dominant than the other. Situation --The troubling situation your character is stuck in that forces him to act. Objective --What y...

How to write a kiss

There was a question on the writer’s Discord server that I’m on where someone asked how to write a kiss. They weren’t specifically asking me, but I was able to give a short answer for how I write kisses. I write and read traditional romances, so my kiss scenes tend to be heavily influenced by the genre and by how my editors critiqued my manuscripts. You basically want to focus on the emotion of the kiss and how the kiss makes the point of view character feel, as opposed to going deep into physical detail. Ideally, the description will show that the kiss is something special and not just them macking. For example the kiss made her feel ___. Or the kiss was ___ which made it seem that he felt ___ for her. “The kiss made her feel as if she were incredibly precious to him.” “His lips were gentle and almost tentative, as if he were afraid of frightening her.” “The kiss surprised her and yet felt as familiar as if they’d kissed a thousand times before. The kiss felt like home.” I...