Skip to main content

Q&A: Unfamiliar settings

Joy asked:

I thought to start my fiction (novel) while I'm on a holiday break. I'm conceptualizing some ideas and taking down notes for a chicklit story. I Love chicklit genre.But my dilemma is about the setting. Did it ever happen to you that you based a setting of your story in a place where you've never been before?

The last time I was in the US was in 1999. A part from the fact that my memory is kinda rusty and needs fine tuning from time to time, I also didn't pay attention to take note of specific details about the stores, where to go, sights to see. I was just overwhelmed with my new environment and ofcourse homesickness.

Currently, I'm based in Croatia ( Southeast EU), but as a background setting, I'd like to mention about the main character based in the US. Should I be very specific about the place in the US? If anything else, I've got friends from the US who can guide me through this.

I don't know if I'm making sense here. But I'm sure you know what I mean.
I'd really appreciate your input based on your writing experience, if that's not too much to ask. :)

Camy here: That's great that you're starting your novel! My advice would be to just write it even if you're not sure if you're accurate about the US settings.

If you're not sure about your facts at a particular point in the novel, you can do what I do and insert [xxx do research later] in the manuscript and then just keep writing.

After I finish the manuscript, I do a search for "xxx" and find all the notes I left to myself to fix. Then you can do more research, ask your friends specific questions, etc.

Also, don't forget that your setting should be a character in the book, not just a backdrop. When you integrate the setting into the storyline—so much so that the story couldn't take place anywhere else in the world—it makes for more vibrant reading.

If any of you guys have any other questions for my Q&A series, just leave a comment and I'll be sure to get to it!

Comments

  1. Interesting question. I had the same problem with a setting in one of my stories. In my case it was Marrakesh in North Africa. I've never been there, so how could I possibly write about it. I did some research and hoped for the best. Now, if it had been the U.S., I would have had no problem, at least the south of the U.S. because that is fresh in my mind.
    Blessings, Star

    ReplyDelete
  2. Star, that's really all you can do unless you can spring for a trip to North Africa! The best you can do is do extensive research to make sure you're more or less accurate. Also, the authors I've spoken to say that readers tend not to be as picky about accuracy in settings as they are about accuracy in historical time periods.
    Camy

    ReplyDelete
  3. Hi Star and Camy!
    Thanks Camy for posting my question. I hope we can use your site to network with aspiring writers like me.

    Please feel free to give my email to those who would like to share their publishing experience.

    It would be nice to learn from each other.
    Thanks so much!
    Best,
    Joy

    ReplyDelete
  4. I hope my answer was helpful, Joy! I linked to your blog so people have a way to contact you.
    Camy

    ReplyDelete
  5. Thank you so much, Camy! :)

    ReplyDelete
  6. This is going to help me a lot. I have so many scenes in my story that I've never been to. And the characters are probably going to be traveling a lot more....

    Thanks a lot!!

    ReplyDelete
  7. You're welcome! I'm glad this was helpful for you!
    Camy

    ReplyDelete

Post a Comment

Popular posts from this blog

Writing Fight Scenes

I love martial arts movies and action flicks. So naturally I'd write action scenes. I discovered that it takes a slightly different writing style. These are some of the things I learned, although this list isn't exhaustive by any means. Action-Reaction A fight scene is always Action-Reaction. He punches, she staggers back. She kicks, he blocks and swings a fist at her. Watch out for putting your reaction before your action: She staggered back when he slammed his fist into her shoulder. The rule of thumb is to have each action-reaction have its own paragraph, although that’s not always possible. Sometimes the sentences are too short for their own paragraphs and can be combined. It’s up to the writer how to format it: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. versus: He swung a roundhouse punch. She bent backward and felt his knuckles swish past her nose. Short sentences = fast reading flow Use short sentences and phrases to make re...

How to write a kiss

There was a question on the writer’s Discord server that I’m on where someone asked how to write a kiss. They weren’t specifically asking me, but I was able to give a short answer for how I write kisses. I write and read traditional romances, so my kiss scenes tend to be heavily influenced by the genre and by how my editors critiqued my manuscripts. You basically want to focus on the emotion of the kiss and how the kiss makes the point of view character feel, as opposed to going deep into physical detail. Ideally, the description will show that the kiss is something special and not just them macking. For example the kiss made her feel ___. Or the kiss was ___ which made it seem that he felt ___ for her. “The kiss made her feel as if she were incredibly precious to him.” “His lips were gentle and almost tentative, as if he were afraid of frightening her.” “The kiss surprised her and yet felt as familiar as if they’d kissed a thousand times before. The kiss felt like home.” I...

What’s a chapter-by-chapter synopsis?

Some editors or agents ask for a chapter-by-chapter synopsis. Not all of them do, so don’t automatically assume you need one. However, it’s the easiest type of synopsis to write, in my opinion. It’s simply a list of each chapter number, and then a couple sentences describing what happens in the chapter. Any significant spiritual or internal conflicts should be included, as well as major plot points, red herrings, symbolism, etc. The chapter-by-chapter synopsis will take the reader on a shortened version of the same ride you’ll give your novel reader, so include the dead ends and frustrations and obstacles that beset your characters. Each major character should be named, and minor characters can also be named if they have a significant impact on the storyline. However, peripheral characters shouldn’t be named in a chapter-by-chapter synopsis. I usually write a chapter-by-chapter synopsis first, then cut that down to a 1-2 page synopsis which I use for my proposals. Most proposals call f...