Posts

Timed writing sprints #writersblock #writingtips

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I’ve been struggling with writer’s block/lack of motivation in my writing for several months now, and I’ve been battling it the way I’ve always battled it before—I sit my butt down in a chair and force myself to write, powering through the blah feeling and writing absolute crap as if I’ve forgotten everything I’ve learned about writing prose. The problem with this is that if the writer’s block/lack of motivation lasts for a long time, that kind of “powering through it” can get really tiring. So I’ve also been reading writing books to try to glean some new trick or technique to use. I read 5000 Words Per Hour by Chris Fox and I really liked his concept of timed writing sprints. I found that the time pressure really helped me to turn off the internal editor and just write. Rather than being stuck on a particular scene or page, I would force myself to just write whatever came to mind even if it was trite and bland, because I can always fix it later. If I really couldn’t think of s

Audio Commentaries for Movies

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I just discovered a great resource for inspiration, reminders, and tips for writing. I’ve been in a bit of a plotting rut and so I do what I usually do, which is watch TV shows and movies. This time, I watched the audio commentary for one of my favorite movies, Captain America: Civil War . I didn’t realize that I’d get so many great ideas for plotting, characterization, dialogue beats, theme, mood, and setting by listening to the directors and the screenwriters comment as they viewed the movie. It not only gave me a springboard for my own plot and character ideas, but it reminded me of techniques I’d forgotten about, which helped me in my story structure and character development. It’s a shame that I’m only realizing this now, because it’s a resource I’ve always had, in the movies I’ve bought on iTunes, but never utilized. I’ll definitely be using this more in future. I hope this tip helps you guys, too—pick your favorite movie and listen to the audio commentary. You never know w

Fluff in Dialogue

Jim asked another question: The guidelines for eliminating fluff or fillers were very helpful. I learned a lot from them. (I know, I shouldn’t have used “a lot”. Having said that, do these same rules or guidelines apply to dialogue as they do with narrative? It appears that we can use unfinished or incomplete sentences, poor grammar, pauses, etc. in dialogue. Do we have the same exemption when it comes to fluff or filler words within dialogue? As asked above, even if we are not bound by the same rules within dialogue, would it be better to still remove as many fluff words such as that, very, really, just, get, got, etc. as possible? Camy here: In dialogue, it’s fine to have incomplete sentences, poor grammar, etc. But also be aware that dialogue in fiction isn’t really true dialogue—it’s kind of like the difference between a real mixed martial arts fight and a scripted fight on TV. The moves are all the same but on TV, the scripted fight is made to look prettier and flow better

Q&A: Can Dialogue be Backstory Dumping?

It’s been a while, but I was finally cleaning out my Inbox and got a question from Jim. He wrote book one in a series aimed at 6-9 year olds, but he had a question about the second book in the series: At this point, I used Book 2 to allow the child’s siblings to ask and receive answers about what he’s been doing the past 8 months. This was done via dialogue. Would this be considered Backstory dumping when it’s a second book and responds to a different “now”. If it’s not considered “dumping”, would it still be preferable to eliminate the 6-8 chapters in book 2 and go with the “dribble” the backstory approach? Camy here: Honestly, it’s entirely up to you. I’ve seen children’s books that have massive backstory dumps, and others where the backstory is more gradually inserted as the story goes along. I’ve also seen books where the backstory is only briefly outlined. (For example: “Harry explained about how he got somehow entered into the Goblet of Fire and had to compete in dangero

Deep Point of View worksheet now available

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I've just released my Story Sensei Deep Point of View worksheet on ebook! $2.99 on Kindle , iBooks , Nook , Kobo , Smashwords . As a writer, you can provide a richer emotional experience for your reader by utilizing a deeper point of view. Deep point of view draws the reader into the characters’ heads and can elicit a stronger emotional reader response to the characters’ struggles, decisions, and reactions to external conflict. Readers who have read a passage in deep point of view often talk about how the characters seemed more vivid, how the story and prose riveted them to the page. It is very easy for a writer to learn ways to draw the reader into the mind, body, and soul of your characters through deep point of view techniques. By the end of the worksheet you’ll have: 1) A basic understanding of different points of view so you can decide if deep or shallow point of view is best for your story 2) Ways to strengthen the emotional writing and draw the reader deeper

Great writer's block article

I recently was cleaning out my file cabinets and came across a print-out of this article on writer's block that I'd forgotten about. In re-reading it, I was struck anew with how interesting and informative it is. Or maybe I just liked it because it appeals to the geek in me, since it addresses the psychological and neurological basis of writer's block. Anyway, here's the link in case you're interested: Writer's Block: Is It All in Your Head? by Leslie What

Heroine's Journey worksheets available

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I’ve just published a revised edition of my Heroine’s Journey worksheet! It’s $2.99 on Kindle , iBooks , Kobo , Nook , and Smashwords . Here’s more information about it: I was asked to describe my Heroine’s Journey many times and I even taught several workshops on it at writer’s conferences, and so I decided to write a more detailed worksheet on the subject. I read about the Heroine’s Journey from several books and compiled what I learned here in one place. This is the same worksheet I myself use for my own novels. Why the Heroine’s Journey? Sometimes the story arc of a female character will differ from the traditional Hero’s Journey because culture and time period will affect the character in accordance with her gender. This will create specific psychological differences in how a male and female character will respond to conflict in a story. Joseph Campbell’s original book is based on the writings of psychoanalysts and the world myths. The Hero With a Thousand Faces is a psych

Synopsis worksheets available

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I managed to update and add lots of new stuff to my Synopsis worksheets, and they are now available on Kindle , iBooks , Kobo , Nook , and Smashwords for only $0.99. There are new examples in the worksheet, and I also added an Appendix. Here’s the info on the updated worksheet: Has your fiction manuscript been rejected by literary agents or traditional publishing houses, and you're not sure why? Do you feel something's "off" with your novel, but you don't know what? Sometimes the problem isn't the writing—it's the characterization or the overall story structure. If you think this might be a problem with your manuscript, you don't want to pay for a freelance editor when you could fix those story elements yourself. The Story Sensei’s Synopsis worksheet was designed as a way for fiction writers to not only write a synopsis, but also doctor their own manuscript by utilizing a large-scale, bird’s eye view of their stories. This different way of l

I now have a Story Sensei newsletter

Hey everybody! I'll be releasing my Story Sensei worksheets as ebooks in a few weeks. I'll be posting about them here on this blog, but if you'd also like emails sent to you when they're available, feel free to subscribe to my Story Sensei newsletter below. I won't clog up your email Inbox--For the first few months, I'll send one email a month because I'll be releasing my worksheets about once a month, but then after that I will only send out emails when I have a new Story Sensei product or a sale. I tend to have new worksheets only about once a year. Thanks a bunch! Subscribe to Camy's Story Sensei mailing list * indicates required Email Address * First Name Last Name

Need endorsement blurbs for worksheets

Hey everybody! Some of you may have noticed that I took down the buy buttons for my worksheets on my website. I am in the process of formatting them to release them as ebooks on Kindle, Nook, iBooks, and Kobo. If you bought my worksheets, please email me at storysensei [at} gmail.com with the email address and/or name you used when you bought your worksheet(s) so that I can locate your order. Then I’ll be sure to email you an .epub or .mobi copy of your worksheets when they’re updated and formatted. Would you like to be featured in the description of the worksheets on Amazon.com, BarnesandNoble.com, iBooks, and Kobobooks.com? I am looking for endorsement blurbs to put in the description of the worksheets when they’re uploaded as ebooks. So if you bought my worksheets, please email me a one or two sentence endorsement blurb about them. If I choose your endorsement, I’ll contact you about how you want to be listed (for example, by your full name or by initials, with your blog or w

Random Secret Generator

I got this from a Camp NaNoWriMo message and while I can’t use it right now, this would be a great tool for writer’s block while I’m plotting another manuscript. It’s a generator that gives you random secrets for your characters, to help you come up with ideas for deepening characterization or just getting out of a writing rut. This website also has other character detail generators, to give you ideas when you’re creating a character. I checked out a few and they’re neat! If you use this generator, let me know how you like it! I hope to use this at some point in the future. Character Secret Generator

IndieRecon free online conference

I just learned about this conference today! I already registered and hope to participate next week. It looks like all the "events" will be archived but I'd like to sit in on some of the live events. I pulled this from their website : 15 reasons why you should register for IndieReCon Today!   1. Keynote speakers J.A. Konrath and Barry Eisler are hosting a two hour chat to honestly answer any questions you have. 2. Find out how to face your fears and how to focus on your writing, being creative, and writing to your readers with Bob Mayer, Alicia Vancil, RaShelle Workman, Susan Kaye Quinn, Orna Ross, C.S. Lakin, and Rachel Aaron. 3. Find out all the nitty gritty details on self-publishing basics like pricing, distribution, and formatting from top industry professionals like Miral Sattar, Peter Bowerman, Joel Friedlander, and The Passive Guy (David Vandagriff). 4. Build your marketing skills and publicity skills with K.P. Simmons (InkSlinger PR), David Gaughran, Lori

5 free tips from my Self-Editing Worksheet

This didn’t occur to me until just now, but back in July I gave a workshop on Harlequin.com’s forum boards on Self-Editing, and I featured 5 of the points on my Self-Editing worksheet for free. (I also gave feedback on homework on the forums, but the forum is now locked.) So if you were wondering if you wanted to buy my Self-Editing worksheet, head over to Harlequin.com to check out the forum. Here’s the link to the Self-Editing workshop forum. You’ll need to register (it’s free) for the Harlequin forum boards in order to read it (I think) so you can register/create a Community membership here . If you like the 5 free tips, you can buy my Self-Editing worksheet for $20 for all 11 tips. Note : If you've bought my Deep Point of View worksheet , there are some of those Deep POV tips here in this worksheet. However, the Deep POV worksheet goes into more detail and depth whereas the Deep POV tips in this worksheet are not as extensive. If you're on the fence about if you

Q&A: Boring characters?

A writer asked me this question: I recently started writing a novel based off a couple friends and I wondering what would happen if we got thrust into a messy world of insane, chaotic, and anything considered un- or supernatural events.  I have already done a bit of tweaking to one character to make her a bit more agressive and aloof, but two other main character (out of four) are rather shy.  In real life, they don't talk much, and while they have come out of their shells quite a bit in the years I have known them, I doubt they'd ever be the type of people to rush head first into a life-or-death fight that could change the fate of the world you see in just about evrry novel on the shelves.  My question is, is it a bad idea to have them in the story?  I think with the dynamic our little group has it would be very interesting as characters, but I don't want them to be critiscized as boring or unoriginal. My feeling is that all characters, whether main or secondary, should

NEW! Heroine's Journey worksheet

Heroine's Journey worksheet $5 I was asked to describe my Heroine’s Journey many times and I even taught several workshops on it at writer’s conferences, and so I decided to write a more detailed worksheet on the subject. I read about the Heroine’s Journey from several books and compiled what I learned here in one place. This is the same worksheet I myself use for my own novels. Why the Heroine’s Journey? Because sometimes the story arc of a female character will differ from the traditional Hero’s Journey because of the affects of culture and time period upon the character because of her gender. This will create specific psychological differences in how a male and female character will respond to conflict in a story. Joseph Campbell’s original book is based on the writings of psychoanalysts and the world myths. The Hero With a Thousand Faces is a psychological analysis of the classical myth formula that breaks down the myths into a basic structure, showing the psychological

Self-Editing tips on eHarlequin and Synopsis writing class in August!

Self-Editing tips at eHarlequin I forgot to post this earlier, but I'm posting Deep Editing tips over at the eHarlequin forum boards. I'm going over 5 of the points that are in my Self-Editing worksheet and giving some feedback. I'm only online there until the end of Saturday (sorry for the late notice) if you'd like feedback. Since I'm doing 5 of the points in my worksheet, this will give you a chance to see a sample of my worksheet in case you're still on the fence about buying it. Here's the direct link to the forum: http://community.harlequin.com/showthread.php/1441-Camp-Gonnabe-Self-Editing-with-Camy-Tang Register for my next Synopsis writing class in August I'm not doing as many online classes these days, but for those of you interested, now's the time to register for a Synopsis writing class I'm giving through the Oklahoma Christian Fiction Writers group: Synopsis writing online class ($20 (OKC member) or $25 (non OKC member)) A

Avoiding Episodic Writing

(This post originally appeared on Suite101, but it's no longer there so I'll post it here. :) Make the Character Proactive Rather Than Reactive Eliminate episodic scenes by giving the character an External Goal, Obstacles against that goal, and Forward Movement in the story. A story is more than just good writing. A story plot must have forward motion and a sense of movement that pulls the reader along. Sometimes writers will get feedback that their story “lacks purpose” or is “episodic.” What exactly does that mean? Episodic Writing is Reactive Writing in Vignettes. A character needs more than just to fall into an alternate world and face Scary Monsters. He needs to have a purpose and doggedly pursue that purpose. If he simply goes from one Bad Thing to another, the story lacks direction. When a character simply reacts to the Bad Things that happen to him, he is being reactive rather than proactive, and that can be boring to a reader. It’s also boring to read a

Update April 2013

Because of several writing contracts, I've decided to step back from doing critiques and coaching for most of 2013 in order to save my injured wrists and my health for my books. If you'd like recommendations of other freelance editors who can critique your work sooner, I can suggest: Fiction Fix-It Shop ( http://www.fictionfixitshop.com/ ) Moonshell Books and Editorial, Shelley Bates ( http://www.shelleybates.com/ ) Cheryl Wyatt ( http://www.cherylwyatt.com/ ) Sharon Hinck ( http://www.sharonhinck.com/ ) Just email them through their websites and let them know that Camy suggested you contact them about critiquing. Update: I’ll be teaching an online synopsis class in early August this year, so stay tuned to my blog for when registration opens. I also still have my worksheets available for download: Self-Editing worksheet - $20 New! Deep Point of View worksheet - $10 Price drop! Characterization worksheet - $10 Price drop! Structure/Synopsis worksheet - $5

New one-on-one email coaching services

My wrists are feeling pretty good, so I'm going to be open to scheduling some one-on-one email coaching services. However, because of book deadlines, I won't be able to start any coaching until October. If you know you want to take some coaching from me and you're okay starting later this year, let me know so I can schedule you. In addition to Synopsis one-on-one coaching ($35) and Characterization one-on-one coaching ($35), I am also adding Deep Point of View one-on-one email coaching for $45 and Self-Editing one-on-one email coaching for $45. All my one-on-one coaching lasts four weeks, which gives you a bit more time to get in your homework for the lessons and revise them and resubmit them for additional feedback if you desire. The structure of my one-on-one coaching is the same as my worksheets, but with the addition of my personalized feedback on your specific manuscript. Only one manuscript/character per coaching session, please. Again, I will not be schedul

New!! Self-Editing worksheet and price drop on Characterization and Deep POV worksheets

NEW SELF-EDITING WORKSHEET! After Katie commented on my author blog about my Self-Editing class, I realized that I could just offer a self-editing worksheet for those of you who wanted to take my online class but couldn't because of timing or cost. So here it is! Self-Editing Worksheet $20 You've finished your novel! How do you make sure you have a good character arc, strong story structure, good pacing? How can you smooth over rough writing patches, eliminate episodic writing, or increase emotional intensity? My Self-Editing worksheet combines a variety of techniques that I have taught in online workshops into one place, with tips to help you refine and polish your manuscript. By the end of the worksheet you'll have: 1) A good large-scale view of your story structure and character arc, and knowledge about how to fix any problems in that area 2) Tips for how to revise more emotion into your writing 3) Tools for solving pacing issues 4) A deeper look at tech